Eating and Animating: Balancing the Basics for U.K. Independents
Marie Beardmore details ways for U.K. animators, seeking to make their own works, can obtain funding in order to eat and animate!
Marie Beardmore details ways for U.K. animators, seeking to make their own works, can obtain funding in order to eat and animate!
La situazione in cui si trova il cinema di animazione in Italia, come forse anche in altri paesi, difficile e complicata per gli autori indipendenti che relizzano cortometraggi
As Karen Raugust explains, sometimes companies get lucky and their commercials become their own licensing phenomena. Anheuser-Busch has such a hit on their hands with their beloved CGI Frogs and Lizards
From the California Raisins to Li'l Penny, sometimes companies get lucky and their commercials become their own licensing phenomena.
In the shadow of Zagreb, animation in Bosnia and Herzegovina never truly developed until soon before the war...only to be abruptly halted. Rada Sesic explains.
Located in the south of England, this new archive, SIIARA, strives to preserve and make available animation information, art work and final films. John Southall explains.
Helming the Italian animation Renaissance, Lanterna Magica and director Enzo D'Alare putting the finishing touches on their next feature film, Lucky and Zorba. Chiara Magri takes us there.
Environmentalist Lesli Rynyk explains the Canadian Waste Management Act and subsequent Animation Waste Management Plan designed to decrease waste in animation studios.
Mike Lyons takes a look at Walt Disney Television Animation's proven strategy for adapting the company's animated features as television series such as the upcoming Hercules.
Craig Miller introduces us to the Writers Guild of America's Animation Writers Caucus, which aims to assist animation writers and help them to better the circumstances under which they work.
Dr. John A. Lent puts Ram Mohan and his new company RM-USL into perspective as India enters a new phase of development.
Milt Vallas takes us inside China to understand this giant and its current bid for the world's attention.
Peter Chung examines the flaws of today's comics as he reveals the basic nature of visual narrative.
Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Cartoon Network's Michael Lazzo, Senior Vice President, Programming and Production.
Sean Maclennan Murch explains why animated shows targeted toward adults are becoming a more popular approach for some networks.
Animation World Magazine profiles the SIGGRAPH `98 Computer Animation Festival, which will feature computer animated films ranging from scientific visualizations to blockbuster visual effects to independent shorts.
Animation World Magazine profiles Jared, the singing, animated smiley face which has become a cult phenomenon on the World Wide Web.
Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included.
Joseph K. Bevilacqua highlights what's new in animation for the U.S. 1998/99 television season, from CBS to Cartoon Network.