WHY PRODUCERS MUST STUDY SCREENWRITING
Without a solid understanding of screenplay structure a producer has no way of knowing whether his screenplay is good or bad.
Without a solid understanding of screenplay structure a producer has no way of knowing whether his screenplay is good or bad.
My old black lab was a handsome fellow, as labs go. He was also a crazy-ass maniac who could definitely teach Marley a thing or two.
There's nothing more frustrating than getting an email from a producer asking if I’m interested in writing a screenplay and then, when I email back and convey my interest, all I hear are—
Let’s face it. Everyone has a script. Even writers. The trick isn’t writing a script. The trick is selling it.
The Humanitas Prize Call for Entries is now open. If you’ve written a qualifying script you could win $10,000 tax free or more. Inquire within...
The three most important elements of a screenplay are theme, character and plot. If you get these three elements working smoothly with one another then you will get a good story.
Animated television has changed dramatically since I began writing, I'm happy to say for the better...
When toy companies have hot-selling toys they often decide to turn them into animated series or feature films. Here are some tips on how to do it successfully...
Uncle Sam may be looking for a few good men, but The Humanitas Prize is looking for a few good writers. And you could be one of them!
You don't have to be Martha Stewart to bake a great pie and you don't have to be Robert Towne to bake a great screenplay.
Other than screenwriting software, all of the writing tools you need are available for free online. Here are the tools I use almost every day while I write or do the business of writing...
Painters start with a blank canvas, sculptors with a blank block of stone and writers with a blank page. Like a sculptor, a writer starts by chipping away the blank page.
Final Draft 9 was released earlier this year. I have now used it for the past 5 months and gotten pretty familiar with some of the new features. So I figured it’s time I gave it a review.
In Part 1 I explained how I pitched one series with $13,000 worth of artwork and another with two sentences on the fly, and I sold the two sentences. But why did my two-sentences sell? What was it about the concept? What made it so good? ...
If you’re a writer you are familiar with the word. You just wrote an Academy Award-quality screenplay or an Emmy-quality series development, put together a solid pitch, gave it to the producer or exec with passion, and he or she responded with the most painful one-word epithet in the English language—Pass.
In Part 1 I explained how I pitched one series with $13,000 worth of artwork and another with two sentences on the fly, and I sold the two sentences. But why did my two-sentences sell? What was it about the concept? What made it so good?...
I’m asked questions all the time about pitching animated TV series. Do I need a bible? — Do I need a pilot script? — Do I need artwork? —Do I need a few minutes of animation? Rather than tell you what I think you need, let me illustrate the reality of pitching with two personal anecdotes...
Have you ever been writing and felt like your story is crap? If you haven’t you must not be an experienced writer. If you have, don’t worry, crap has some useful nutrients in it. Let me explain...
Three Stooges leader Moe Howard’s autobiography re-released under the title “I Stooged to Conquer” with a new foreword by Moe’s daughter, Joan Howard Maurer, and newly restored photographs.
You don’t need to go to film school and pay thousands of dollars for screenwriting classes. All you need to do is some reading. Let me tell you which books I found to be the most helpful...
If you are an aspiring screenwriter I have some suggestions that may help you break into the business...
If you’re a writer who wants to improve the quality of your story, or a producer who wants your film to have the best possible chance at the box office, I've got 10 writing maxims for you that will maximize your chances of success...
So what is a writer’s #1 creative tool? Experience? Education? Vocabulary? Scriptwriting software? Jack Daniels? It’s none of these. The #1 creative tool of every writer is...