Leading post-production boutique Post Logic Studios has added to its talent roster by hiring senior colorists Mike Cosola and Eric Alvarado for its Hollywood and New York digital studios, respectively. The additions come at a time when Post Logic is poised to implement a significant capital expansion of equipment and digital intermediate services.
Post Logic is expanding its services and allocating millions of dollars for the latest DI and high definition gear, said Steve Hendricks, Post Logic Studios president/ceo. To add the creative skills of colorists like Mike and Eric to our already superb talent base positions us for a great future.
Senior colorist Cosola, who has worked at Encore Hollywood, Sight Effects and 525, brings an impressive list of long form and short form credits. His recent projects include several episodes of the National Geographic series STRANGE DAYS ON PLANET EARTH, commercials for Target and Ford, and music videos for Coldplay (SPEED OF SOUND) and Jay Z (99 PROBLEM). He was the colorist on THE HIRE, BMWs acclaimed series of short films by directors John Frankenheimer, Ang Lee, Wong Kar-Wai, Guy Ritchie and Alejandro Gonzalez Inarritu. Other directors with whom Cosola has worked on commercials and music videos include Mark Romanek, Gore Verbinski, Michel Gondry and Peter Smillie.
Senior colorist Alvarado joins Post Logic NYC from PostWorks, where he worked on feature films, episodic television, commercials, music videos and indie films. Alvarado performed the digital intermediate on the Academy Award-nominated documentaries THE FOG OF WAR and TUPAC RESURRECTION. The longtime colorist for the Emmy Award-winning television series QUEER EYE FOR THE STRAIGHT GUY, Alvarado has also worked on JOHN LEGUIZAMOS FREAK, SEX AND THE CITY and KINGS OF COMEDY, plus music videos for Aerosmith, Jay Z, Eric Clapton, Bruce Springsteen and Dave Mathews. In addition to his long form credits, Alvarado counts AT&T, Hanes, Maybelline, Puma, McDonalds, and Verizon among his commercial clients for both the U.S. and Latin markets.
With state-of-the-art facilities in Hollywood and New York, Post Logic Studios (www.postlogic.com) has distinguished itself as a leader in digital intermediate and feature film restoration, and continues to expand into new and emerging arenas within the post-production realm. The company provides cutting edge digital intermediate, digital mastering, post-production, visual effects and audio post-production services to feature film, commercial and television clients from its flagship Hollywood facility and Manhattan-based satellite, Post Logic N.Y.C.
Bill Desowitz, former editor of VFXWorld, is currently the Crafts Editor of IndieWire.
