Post Logic N.Y. has signed well-known commercial colorist Milan Boncich. Boncich has worked with some of the most prominent directors and dps in the worlds of advertising, film and visual effects. He was the longtime senior colorist at Tape House Editorial until 2002 when he joined Moving Images.
The addition of Boncich to Post Logic N.Y.s talent roster reinforces the companys ongoing commitment to the commercial market and its intention to compete for that business at the highest levels.
Boncichs most recent projects include spots for Wendys, Bank of New York, MasterCard, Listerine and Verizon Wireless, He is also well known in the fashion and beauty sector, having worked with directors Matthew Rolston, Ken Nahoum and Anita Madeira on campaigns for Revlon, Lancome, Maybelline and Clairol. Bonich has collaborated with many other noted directors, including Tarsem, Joe Pytka, Marcus Nispel, Bob Giraldi, Santiago Suarez, Pam Thomas and Spike Lee.
Manny Fernandez, managing director of Post Logic N.Y., said, As we sharpen our focus and build our brand, we feel extremely fortunate to have a person of Milans caliber of talent and character join our team. His depth of experience and ability translates to better imagery and makes him a major asset for both Post Logic and our clients.
Boncich stated: Post Logic has all the right pieces in place: great gear and really talented people. I am excited to be at a company that values quality and the client experience.
At Post Logic N.Y. Boncich joins fellow colorists Eric Alvarado and Alex Berman. Digital restoration artist Anthony Matt, director of production Mike Balabuch, sales exec Andy Mathis and operations manager Joanne Gross complete the team.
With technologically advanced facilities in Los Angeles and New York, Post Logic Studios (www.postlogic.com) has distinguished itself as a leader in digital intermediate and feature film mastering, and continues to expand into new and emerging arenas within the post-production realm. The company provides unmatched digital intermediate, digital mastering, editorial assembly, restoration, visual effects and audio post-production services to feature film, television and commercial clients from its flagship Hollywood facility and Manhattan-based satellite, Post Logic N.Y. Encompassing a team of the feature film, television and commercial communitys most talented digital artists and a 1,500-square-foot digital cinema-enabled theater, Post Logic continues to lead and innovate.
Post Logic N.Y. is a 6,000 square-foot post-production studio designed to serve the needs of the feature film, television and commercial production industries. Opened in March 2004, the New York operation has flourished since its inception. Capabilities include Spirit HD/SD telecines, Inferno, digital restoration services, full audio layback capabilities, format conversions, QC and HD/SD duplication. Post Logic N.Y. is located at 435 Hudson St., 7th Floor, in the West Village.
Bill Desowitz, former editor of VFXWorld, is currently the Crafts Editor of IndieWire.
