Web animation tool formerly known as Flash Professional arrives with a long list of new features and enhancements including improvements to pencil and art brushes, projector support and video export to multiple resolutions.
New release features streamlined workflow and improved performance for motion graphics and VFX artists.
Adobe Creative Resident Kelli Anderson uses a combination of After Effects, Photoshop and Illustrator to create a new stop-motion animated video for TMBG’s holiday cut, ‘Long White Beard.’
Adobe renames Flash Professional CC to Adobe Animate CC, rewriting the tool from the ground up to add native support for HTML5 Canvas and WebGL as well as outputs to any format.
Award-winning studio continues its plain-body series of vintage Le Mans winners with stunning Jaguar D-Type images created using VRay, 3ds Max and Photoshop.
New release includes major upgrades to Trapcode Particular, Shine and Mir, new effects builder for visually designing particle systems, and brand-new plug-in Trapcode Tao for generating 3D ribbons and geometric shapes.
Created over the course of seven months, dialog-free animated short pairs sound design and a distinctive visual look and adventurous color palette to help tell the story.
Special guest artists to demo Boris Continuum Complete 10 and mocha Pro 5.
Released by Dover Studios co-founder Andrew Hazelden, Autodesk Maya plug-in RocketComp instantly connects Maya to 10 of the most popular desktop compositing applications in use today.
Filmakademie Baden-Württemberg graduate Johannes Schiehsl uses Autodesk Maya, Chaos Group’s V-Ray, and Adobe After Effects and Premiere to create his award-winning diploma film, ‘366 Days.’
Led by Encore VFX supervisor and creative director Stephan Fleet, Encore artists in Vancouver and Los Angeles completed anywhere from 30 to 60 VFX shots per episode.
Unprecedented innovation and integration across Creative Cloud Desktop and mobile apps; new Adobe Stock service debuts.
Adobe plans to integrate Mixamo’s technology into Photoshop so designers can more easily create, customize, manipulate, rig and animate 3D objects.
Online filmmaking superstars from Red Giant Films, Triune Films and Corridor Digital team up at the NAB Show for ‘Breaking the Hollywood Mold,’ moderated by Adobe’s Dave Werner.
First software product from ZERO’s new software division, Code Zero, eliminates the pre-render guesswork: preview and fix banding, artifacting, color shifts before compressing.
Latest Creative Cloud release drives deep connections between new family of mobile apps and enhanced CC Desktop Tools via all-new creative profile.
Tight integration between Premiere Pro CC and After Effects CC allows multiple editors and VFX artists to work on the same project.
At the After Effects World Conference, taking place September 26 – 28, MAXON will be offering sessions to explore close integration between MAXON Cinema 4D and Adobe After Effects.
Thesis film from computer animation students Gang Maria Yi, Garrett O'Neal and Bryan Locantore is a visual representation of the classic children’s game.
CG artist Alexy Zakharov creates an 3D version of Matt Groening's sci-fi metropolis.
Mobile apps and new hardware extend Creative Cloud workflow; all major CC desktop apps updated.
Adobe announces plans to significantly update all the video apps in Adobe Creative Cloud and will showcase these innovations at the NAB 2014 show in Las Vegas next week.
