In recognition of his contributions to the VFX industry, the 30-year industry veteran was honored on October 14 at the Visual Effects Society’s celebration in Los Angeles.
Company’s flagship products get updated, with focus on collaboration and efficiency; ftrack Review features all-new interface for more intuitive and efficient review sessions; cineSync 5’s new UI supports more collaborative reviews, both local and remote.
New cloud solutions provider, backed by $200M+ investment led by PSG, opens for business after snapping up ftrack, iconik, Celtx, Wildmoka, and Zype.
VFX house One of Us worked through the COVID-19 pandemic to deliver 350 shots on Netflix’s wildly popular period romance drama set in an alternate Regency-era universe.
Studio delivers over 300 shots for satirical comedic drama about the fictionalized rise of Catherine the Great, which required extensive on-location collaboration to create large scale environment extensions for Caserta Palace and the military camp at the Russian Front.
Media review platform design improvements provide instant remote collaboration for global teams.
Adelaide, South Australia-based VFX production house today marks 25 years creating visual effects for some of Hollywood’s biggest films.
Acquisition of award-winning remote viewing tool should foster collaborative development of powerful new workflow solutions for the creative industries.
High-end animation and visual effects studio used cineSync extensively to help define, refine and enhance their creative vision and stay in tune with directors Anna Boden and Ryan Fleck.
Project management platform now provides integration with MAXON’s Cinema 4D digital content creation package, allowing 3D artists to gain powerful production tracking functionality for creative projects.
Project management platform now includes native integration support for Adobe Photoshop CC, Adobe Premiere Pro CC and Adobe After Effects CC; live demonstrations to be held at NAB 2016.
World’s first fully remote visual effects studio leverages integration of Shotgun with Cospective’s synchronized review-and-approval tool cineSync to ensure a harmonious workflow.
Alongside the increasingly complex evolution of three fully-grown CG fire-breathing dragons, VFX house Pixomondo leverages Cospective’s cineSync review and annotation tool for global production pipeline for HBO’s ‘Game of Thrones.’
Cospective and Shotgun join forces to offer VFX, animation and post studios a faster way of working with built-in Shotgun Review portal built directly into cineSync.
Led by Encore VFX supervisor and creative director Stephan Fleet, Encore artists in Vancouver and Los Angeles completed anywhere from 30 to 60 VFX shots per episode.
‘Interstellar’ VFX supervisor Andrew Lockley details how his team used cineSync to help develop the groundbreaking visual effects for numerous Christopher Nolan films.
New integration provides Shotgun Review portal built into Cospective’s synchronized review-and-approval tool cineSync.
Hollywood-based VFX facility completes production on a new commercial for Chinese car manufacturer Qoros Automotive using Cospective’s Frankie and cineSync to help cross The Great Firewall.
Previewing at SIGGRAPH, new version releases this Fall focusing on collaborative workflows.
Jenny Fulle, Visual Effects Producer and Founder of The Creative-Cartel, and Rory McGregor, CEO of Cospective, announce an integration between Cospective’s cineSync review and approval technology and The Creative-Cartel’s JOUST digital workflow management system.
Rising Sun Pictures relies on review software to help build Oscar contender.
