Theodore Ushev: ‘The Physics of Sorrow,’ My Animated Time Capsule
In the first fully animated film using the encaustic, hot-wax painting technique, a rootless, melancholy man sifts through memories while struggling to locate home, family and self.
In the first fully animated film using the encaustic, hot-wax painting technique, a rootless, melancholy man sifts through memories while struggling to locate home, family and self.
The acclaimed director’s Oscar-nominated short warns that humanity's constant fear of the future and obsession with the past imperils our ability to live in the present.