Producing Animation the Right Way on ‘Ron’s Gone Wrong’
DNEG’s feature animation division drew on years of cutting-edge VFX production experience to build the pipeline needed to help Locksmith Animation bring Barney and Ron the B*Bot to life.
DNEG’s feature animation division drew on years of cutting-edge VFX production experience to build the pipeline needed to help Locksmith Animation bring Barney and Ron the B*Bot to life.
Director Jean-Philippe Vine and co-director Octavio E. Rodriguez talk about the making of Locksmith Animation’s debut feature about a socially awkward middle-schooler’s budding relationship with a faulty personal robot, now in theaters.
Blockbuster Marvel feature that almost launched its own Popular Film category at the Oscars racks up seven Academy nods, including a groundbreaking nomination for production designer Hannah Beachler.
Alongside a new featurette produced by primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert details the hybrid of practical and digital techniques employed for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Alongside primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert and production designer Nathan Crowley employ a hybrid of practical and digital techniques for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Crew announced for the feature, the first in a multiyear production deal between the studios expected to produce a new movie every 12 to 18 months.