Collaborators Jonathan Rothbart, Janelle Croshaw Ralla, and Michael Ralla talk incendiary shotgun shells, a blind assassin’s eyeballs, a CG dog, and hundreds of ring finger removals, on Chad Stahelski and Lionsgate’s shoot ‘em up in volume action-adventure.
The 2-day event for VFX and animation professionals, running May 16-17 in Quebec, will feature panels, discussions, and presentations by industry leaders from Sony Pictures Imageworks, DNEG, Marvel Studios and DreamWorks Animation.
In the fourth installment of the shoot ‘em up in volume franchise, Wick uncovers a path to defeating The High Table that turns old friends into foes, hitting theaters March 24.
VFX Supervisor Dennis Berardi dishes on the show’s signature production of ghouls, critters, an octopus, a blob monster, a six-foot long queen rat, and a lady made out of beauty lotion – 2,000 visual effects shots all totaled - in the horror anthology series now streaming on Netflix.
Cloud specialists help Toronto-based VFX studio adopt a scalable hybrid cloud-based infrastructure built on Amazon Web Services to tackle visual effects work on Apple TV+’s hit futuristic series.
