Talking with Con Pederson
William Moritz and Con Pederson, special effects supervisor on 2001: A Space Odyssey, talk about his early years, Stanley Kubrick and crosswords.
William Moritz and Con Pederson, special effects supervisor on 2001: A Space Odyssey, talk about his early years, Stanley Kubrick and crosswords.
William Moritz relays the life of Elfriede Fischinger, wifeof Oskar, who made significant contributions to the preservation of animationhistory.
William Moritz relays the life of Elfriede Fischinger, wife of Oskar, who made significant contributions to the preservation of animation history.
William Moritz discovers Otto Alder's excellent documentaryon Feodor Khitruk, where Alder uncovers not only the life and works of theelusive Cold War soviet master, but also sheds light on the soviet animationregime.
William Moritz discusses Richard Reeves' Linear Dreams and Bbel Neubauer's Moonlight and helps to put them in perspective. Includes Quicktime movies of both films.
William Moritz reviews the ninth Stuttgart Animation Festival which took place from April 3 through April 8, 1998 in Stuttgart, Germany.
William Moritz profiles the career of John Whitney and his significant contribution to computer animation.
William Moritz gives a quick and dazzling historical overview attempts to create visual music using "color organs."
Hans Fischerkoesen, Germany's leading producer of animated commercials, was ordered to make theatrical cartoons by the government in World War II, as William Moritz notes, he produced a trio of remarkable films which were not exactly Nazi propaganda.
William Moritz with the Anima Mundi Festival Director, Marcos Magalhs. Courtesy of William Moritz.
The fourth international Anima Mundi animation festival took place in Rio de Janeiro August 16-25, 1996, overlapping a bit with Hiroshima. Unlike the rather hectic pace and nervous business rivalry of the older and bigger festivals, Anima Mundi offers a relaxed and user-friendly atmosphere for discovering and enjoying animation.
Naturally, it is rather hard to separate the event from the city of Rio, which is one of the most dazzling places, with its perfect weather,...
Frollo, narrator of The Hunchback of Notre Dame. © Walt Disney Pictures.Max Fleischer's motto was "If it could be done with live action, it's not animation," and Dave Fleischer once griped to me about how many thousands of times he had to repeat that to the animators over the years to get them to improve their work with those imaginative, visionary impossibilities that belonged exclusively to the realm of creative animation. What would the poor Fleischer brothers think about the current animation scene, in which almost every animation studio is involved in duplicating...
The director of such films as films as Crac!, The Man Who Planted Trees and The Mighty River talks with William Moritz about filmmaking, the environment and his teacher, Mathurin Meut.
Bill Moritz chronicles the work of pioneer experimental animator Mary Ellen Bute, whose films gained an unexpected acceptance by both Hollywood and the public.