Images From Hiroshima '96
The International Animation Festival in Hiroshima is often referred to as the most organized animation festival in the world, and for good reason. Every screening, symposium, publication, party, exhibition, press conference and ceremony of the festival was expertly timed, translated and presented by a dedicated group of staff members and volunteers. For details on specific programs, please read Monique Renault's personal account of the week's events elsewhere in this issue.
What is really so unique about Hiroshima is its simultaneous dedication to the art of animation and the promotion of...
Desert Island Series....Be sure to bring a power source for TV!
Clare Kitson, John Coates, Gerry Travers, Fred Seibert, and Phil Roman
Larry Jordan
Jackie Leger surveys the films of Larry Jordan, surrealist and master of collage animation.
Anima Mundi 4
William Moritz with the Anima Mundi Festival Director, Marcos Magalhs. Courtesy of William Moritz.
The fourth international Anima Mundi animation festival took place in Rio de Janeiro August 16-25, 1996, overlapping a bit with Hiroshima. Unlike the rather hectic pace and nervous business rivalry of the older and bigger festivals, Anima Mundi offers a relaxed and user-friendly atmosphere for discovering and enjoying animation.
Naturally, it is rather hard to separate the event from the city of Rio, which is one of the most dazzling places, with its perfect weather,...
Crocadoo Entertains with Energee
Crocadoo, a new series from Energee Animation being broadcast on Australia's Nine Network, is the latest evidence of a small but thriving animation industry. Karen Paterson details what's happening with Energee down under.
Raoul Servais: An Interview
Belgium filmmaker Raoul Servais, who recently completed his first feature, talks with Philippe Moins about his films, international festivals, and the problems of making features, among other things.
A Capsule History of Anime
A brief tour by Fred Patten of Japanese animation from its beginnings by hobbyists in 1917 to its current status as one of the major producing countries in the world.
Manga Entertainment: Taking Anime To The Next Stage
Manga, a division of UK's Island Records, has become a major powerhouse in international anime. Mark Segall reports on the phenomena in his interview with Manga executives Mike Preece and Marvin Gleicher.
Anime in Europe
A survey of how anime spread through the major countries of Europe and the difficulties it encountered in terms of censorship. John Gosling reports from England.
Editor's Notebook
Editor's Notebook by Harvey Deneroff.
Anime: Hollywood's Invisible Animation Genre
Jerry Beck recounts his fascination with anime and how his frustration with Hollywood's attitude towards it led him and Carl Macek to do something about it.
Fred Ladd: An Interview
In the early days of American television, anime gained a small foothold. Fred Ladd, who played a key role in this effort, recalls what happened.
Dirdy Birdy
I am very proud to present the first of a series of monthly comics to appear in Animation World Magazine featuring the international stars, Purdy, The Dirdy Birdy and Furgerina, from the heart-warming short animated film, The Dirdy Birdy. Soon The Dirdy Birdy will have his very own web site accessible through Animation World Network and everyone will be able to enter the strange and dysfunctional world of Purdy, The Dirdy Birdy. If you choose, write to The Dirdy Birdy at dil63@aol.com.
Sincerely John R. Dilworth
All Rights Reserved. JRD 1996.
The Hidden World Of Anime
John Gosling looks at some of the differences between Western and Japanese animation, as well as speculating on the various cultural influences seen in anime.
Anime in Europe
A survey of how anime spread through the major countries of Europe and the difficulties it encountered in terms of censorship. John Gosling reports from England.
Desert Island Series...Mango, I mean, Manga Mania!
The GiggleBone Gang is alive and well at Seattle-based Headbone Interactive. Judith Shane explains it all.
Singapore Animation Fiesta
Cori Stern provides a test to see if you too can join the executive ranks at the animation company of your choice.
Interview de Raoul Servais
Belgium filmmaker Raoul Servais, who recently completed his first feature, talks with Philippe Moins about his films, international festivals, and the problems of making features, among other things. En franis (in French).
TVC, 1957-1997
TVC, one of Britain's most innovative studios is getting ready to shut down. Jill McGreal talks to John Coates, who succeeded founder George Dunning, and celebrates 40 years of creativity.
The Mighty Animator, Frédéric Back
The director of such films as films as Crac!, The Man Who Planted Trees and The Mighty River talks with William Moritz about filmmaking, the environment and his teacher, Mathurin Meut.
The Hunchback of Notre Dame, The Hunchback of MTV?
Frollo, narrator of The Hunchback of Notre Dame. © Walt Disney Pictures.Max Fleischer's motto was "If it could be done with live action, it's not animation," and Dave Fleischer once griped to me about how many thousands of times he had to repeat that to the animators over the years to get them to improve their work with those imaginative, visionary impossibilities that belonged exclusively to the realm of creative animation. What would the poor Fleischer brothers think about the current animation scene, in which almost every animation studio is involved in duplicating...
No Matter What, Garfield Speaks Your Language
Attorney Pam Schechter explores the ways cartoon characters are exploited and the type of money that's involved.
"So, What Was It Like?" The Other Side Of Animation's Golden Age
Tom Sito attempts to puncture some of the illusions about what it was like to work in Hollywood's Golden Age of Animation of the 1930s and 40s, showing it may not have been as wild and wacky as some may have thought.
Sue Loughlin: An Animator's Profile
A look at the films of Britain's Sue Loughlin, and how she explores themes relating to sports, as well as social reform and women's rights.
Cardiff 96
A look at the making of the first TV special based on an Olympic games mascot.
