Classic text-based adventure game ‘ZORK’ inspires live-action and computer generated cinematics for University of Wisconsin-Stout Art and Design project.
Motion graphics/animation studio recalls classic ‘Metropolis’ imagery for CG piece seen before every feature presentation at Midwest film/arts hub.
Appointment comes alongside the recent hire of Zak Thornborough as Executive Producer of MPC Creative in the U.S.
At the After Effects World Conference, taking place September 26 – 28, MAXON will be offering sessions to explore close integration between MAXON Cinema 4D and Adobe After Effects.
Blackmagic Design announces its acquisition of eyeon Software, a leading developer of high end digital compositing, visual effects and motion graphics software for the feature film, commercial, television and broadcast industries.
Motion design studio creates eye-catching show open for new reality show.
Gentleman Scholar releases a stunning visual interpretation of poetry in collaboration with Motionpoems, a non-profit that pairs up-and-coming poets with award-winning design, production and visual effects studios.
Paris’ NAKED Compagnie and New York’s ROOF Studio team up in the Cloud to produce a prolific series of eight second CG bumpers.
Strategic design agency Trollbäck + Company creates the show open for new HBO comedy series, ‘Last Week Tonight with John Oliver.’
VFX Sequences, Concept Design and Stereo 3D Titles Tease ‘Sinister Six’ Lineup.
The creative lead talent on the company’s newest round of work for Samsung and Cheil Worldwide and the Galaxy S5 phone, Sean Starkweather is named creative director at Stardust.
Red Giant Software launches Red Giant Universe, a revolutionary new community with access to an ever-expanding library of new tools and effects for filmmakers and motion graphic artists.
CSU Animation and Visual Effects is proud to present the 11th Anniversary of the Australian International Animation Festival. This internationally renowned event features over 100 prestigious films adeptly selected from more than 2,500 submissions from all around the world. The range of styles, genres and techniques is testament to the vibrancy and relevance of creative animation and the premiere screening of this highly acclaimed collection is happening from the humble host city of Wagga Wagga in regional Australia.
Modus Operandi creates a new branding package for the 2014 Game Marketing Summit taking place April 23.
Galaxy 61 celebrates its 10th anniversary with a re-branding and a new website showcasing the company’s capabilities that are tailored to animation and VFX-driven projects with big ideas and small budgets.
CNN taps entertainment branding agency loyalkaspar to create a multi-platform marketing campaign for The Sixties: The British Invasion.
Red Giant announces a Public Beta of Trapcode Mir 2, a motion graphics tool that allows users to create 3D surfaces for use in motion graphics and visual effects.
Bungie chooses Faceware’s facial mo-cap products to help breathe life into Destiny’s characters.
Design and animation studio Golden Wolf heads to the US as it joins Blacklist’s growing roster of talent.
Morwenna Banks, Peppa Pig, BBC Olympics, The Amazing World of Gumball and an ad for Talk Talk are among the winners at the tenth British Animation Awards held Friday, March 7th, at the BFI Southbank.
Studio's talents deliver inspirational composition uniting highly creative cinematography, CG and visual effects.
Invisible Light Network brings predictions of the digital future to life for IBM with three new short films.
Bradley Munkowitz and Navarro Parker talk Joseph Kosinski, After Effects and excellence in UI design.
The finalists for the British Animation Awards 2014 are announced; held every two years, the British Animation Awards reward the best in British animation across a variety of categories.
VFX producer Andrew Kramer talks 'Star Trek Into Darkness' title sequences and how Adobe After Effects and Element 3D were central to their production.
