The VFX studio provided 250 shots, including guiding the ship ‘The Demeter’ through a terrifying CG storm, and adding whitewater, mist and fog to achieve frightening realism; the movie is now in theaters.
The 3D camera tracking VFX app joins the Boris FX Suite, which already boasts Sapphire, Continuum, Mocha Pro, Silhouette, Optics and CrumplePop; live SynthEyes demos slated for IBC September 15-18.
The visual effects boutique delivers 225+ shots for the psychological thriller, adding to the tale’s horror with invisible effects, which included a 3D animated spider, digital limb replacements, and CG environments and set extensions.
The VFX studio contributed 1,800 shots for Netflix India’s ‘Rana Naidu’ series, based on the popular American Showtime drama series; work included action clean-ups, greenscreen sequences, and CG elements such as the creation of a realistic snake that appears during a drug-induced hallucination.
The award-winning visual effects studio creates the huge-jawed Aeschna sea monster, the deadly Flesh Monster, and a huge Ring of Fire, in the hit fantasy adventure’s latest season; watch the final S3 episodes now on Netflix.
Watch the breakdown real showcasing how the visual effects studio delivered 500 shots on the Paramount+ series, based on the novel ‘The Blue’ by Lucy Clarke, creating a foreboding seascape for the fleeing friends who find themselves in dangerous waters with seemingly ‘no escape.’
The studio delivers 500+ seamless VFX shots for the gripping climax – involving a railway showdown - of the Netflix original dark comedy about a young woman who takes revenge on her abusive alcoholic husband.
The Australian-based visual effects studio delivers 270 shots for Peyton Reed and Marvel’s MCU Phase 5 kick-off, including augmenting and then destroying the massive Celestium fortress and visualizing Kang’s 3D multiverse map.
Tasked with creating full CG environments, simulated explosions, energy effects, laser beams, armored ants, and other digital assets, over 1,000 studio artists delivered more than 800 shots on the Marvel’s first MCU Phase 5 installment.
Studio delivers 50 shots that include CG characters, digital water and explosions, plus set and crowd extensions on Apple TV+’s Emmy Award-winning post-apocalyptic dystopian drama.
The cybersecurity company’s in-house creative team and VFX studio Framestore use a not-so-metaphorical ‘Trojan horse’ to deliver a message to millions about the real and pervasive threat of cyberattacks.
Donald P. Bellisario’s revival of the 1990s sci-fi cult classic tapped the global VFX house to create complex digital environments with integrated 2D and 3D assets; check out the VFX breakdown reel then catch Season 1 now airing on NBC and streaming on Peacock.
For director Joseph Kosinski and Netflix’s crime drama, VFX supervisor Ryan Tudhope managed a group of studios that produced 900 visual effects shots, including the prison facility, UI graphics and monitor replacements, CG environmental assets, and various set extensions.
Led by VFX Supervisor Tommy Tran, the studio produced massively complex visuals on 1,827 shots in Season 3 of Seth MacFarlane and Hulu’s sci-fi comedy, including bigger and more complex planets, space battles, and an impressive, completely overhauled USS Orville.
The suite of production and post-production tools fuses live-action with CG elements to create highly stylized worlds; tech and media exec Greg Mandel joins Board of Advisors as business strategy advisor.
Studio creates both CG people and environments to accurately portray NYC in the 1950s and 1970s for Paramount+’s 10-part series about the creation of Francis Ford Coppola’s 1972 classic, ‘The Godfather.’
The VFX studio created highly realistic, easily controllable CG models and worked extensively with LEDs to bring the city’s subway tunnels to life on Netflix’s Emmy Award-winning series starring Natasha Lyonne.
The VFX studio was instrumental in balancing realism with fantastical elements in the IMDb TV teen spy series’ second season; check out the breakdown reel.
Leading visual effects studio delivered 89 digital environments, 87 gameplay shots, and 347 VFX shots on Shawn Levy’s comedy adventure starring Ryan Reynolds as a bank teller who discovers he’s a background player in an open-world video game.
Visual effects supervisor Charlie Tait explains the studio’s death-defying Episode 1 aerial chase and mid-air fight sequences in Marvel Studios and Disney+’s action-packed six-episode MCU outing.
Led by VFX supervisor Bryan Hirota, studio delivers 1,000 visual effects shots across 22 sequences, from Steppenwolf’s complete redo to the Flash’s epic time reversal.
Leading VFX studio delivers 430 shots on HBO Max’s long-awaited DC feature redo, picking up where they left off in 2017 on Cyborg, Wonder Woman, and the Flash sequences.
The Advanced Imaging Society’s 11th annual awards honored technical achievements currently accelerating the entertainment industry; 12 distinguished technical achievements were recognized for cutting-edge technology having ‘Impact through Innovation.’
German visual effects studio's new highlight reel showcases their work on funky ‘60s planet, menacing robots, and White Room prison cell from hit HBO horror fantasy series.
Axis Studios creates an entire historically accurate CG Elizabethan London, delivering 100 shots for 10 episodes over a span of 18 months.
