Kay John Yim takes a deep, technical dive into his new short, ‘Masquerade,’ a character animation project that helped him further develop skills in storyboarding, character design, character animation, and rendering.
Animator Jop Govers breaks down his latest project, from sketching with an iPad and storyboarding with Photoshop to designing characters and animating with Cartoon Animator 5 and compositing with After Effects.
The Jim Henson Company’s Lisa Henson and Titmouse’s Niko Guardia and Allison Craig discuss the show’s titular, ‘unapologetic’ 11-year-old amateur sleuth, the hurt feelings her secret notes cause once revealed, and how a show about New York, made in New York, was especially meaningful to the production crew.
Brazilian pet food brand 374 Pets tapped the mixed media and animation studio, who working with local animation students to create ‘Universo 374,’ a 2D animated spot bringing furry, feathery, and scaly critters to life.
With an exclusive ‘Wishing Star Battle’ breakdown reel to help illustrate, the visual effects supervisor takes us behind the digital curtain, sharing lookdev mandates, design directives, and production realities on how our titular feline hero, as well as the Wolf, Perrito and other characters came to life, on the Oscar-nominated 3DCG animated feature.
The 2020 animated short has apparently racked up more than 1100 awards, making it, according to the record-keeping authority, the world’s leader in most awards won by a short film; the 7-minute film, illustrated in colorful abstract shapes and questions, poses the question of how modern-day distractions impact artistic inspiration.
Animator, director, character designer, teacher, and writer Nancy Beiman shares Part 2 of her extensive, 2-part, 1979 interview with famed animator Art Babbitt, whom she met as a 21-year-old Cal Arts student after visiting Richard Williams’ L.A. studio on a dare.
Animator, director, character designer, teacher, and writer Nancy Beiman shares Part 1 of her extensive, 2-part, 1979 interview with famed animator Art Babbitt, whom she met as a 21-year-old Cal Arts student after visiting Richard Williams’ L.A. studio on a dare.
The 10-minute animated African horror fable by instructors Miguel Ortega and Tran Ma - known as Half M.T. Studios - employed hand-drawn and cutting-edge 3D techniques, with tools like ZBrush and Maya for characters and Substance Painter for texturing, and was rendered exclusively in the game engine.
Producer Mark Swift talks about the development of DreamWorks Animation’s blockbuster adventure-comedy now in theaters, and why the long-awaited swashbuckling feline’s return is his favorite of all the films he’s worked on.
Piera Varda explains how he and his team at Peru-based La Escena Virtual designed and produced their ambitious animated short, ‘The Within,’ after upgrading their workflow to integrate new real-time tools that enabled much greater creative control and artistic freedom.
Joel Crawford, director of DreamWorks Animation’s latest adventure-comedy, talks about Kurosawa, Sergio Leone, and the making of his new film about the famous whiskered adventurer’s coming to grips with mortality, a brilliant, instant classic, now in theaters.
Series head writer Halcyon Person shares how Chris ‘Ludacris’ Bridges’ hit children’s show pushes boundaries and tell stories never told before in animation, representing both the Black experience and Black culture of a true Brooklyn neighborhood; Season 4 now streaming on Netflix.
For Production Designer Nate Wragg, the daredevil feline star and supporting characters of DreamWorks Animation’s new 3DCG comedy adventure, launching today in theaters, sport more exciting, painterly looks that draw heavily from their illustrated origins.
The holiday special tells the story of Charlie and Grandpa Gunther as they search for the perfect Christmas tree, and all they learn along the way; airs Dec 25.
Netflix’s ‘Kid Cosmic’ designers Chris Tsirgiotis and Craig McCracken honored along with five other artists for their work in a single episode or special; reveal comes ahead of the first annual Children’s & Family Emmy Awards ceremonies scheduled for this weekend.
The live-action / animated hybrid preschool series from DreamWorks Animation features flamboyant cats of every shape, color, size, and animation style, all joining Gabby on fun adventures in cleverly designed locations when she jumps into her dollhouse; the new season is now streaming on Netflix.
Masayuki Abe’s book series follows Kyle, set to vanquish the demon king destroying his world, when he is suddenly sent back in time to try and prevent the conflict from every taking place; new show coming to Crunchyroll in 2023.
Animation supervisors Jeff Riley and Malcolm Lamont share how director Henry Selick encouraged them to break all the rules on his new film, eschewing CG for in-camera practical effects wherever possible and employing lots and lots of gooey museum gel.
Longtime PBS Kids and Cartoon Network executive Linda Simensky brings her expertise in developing character-driven storytelling to the award-winning app that offers courses in more than 40 languages to more than 500 million registered users.
Art director Paula Spence and supervising director Jeanette Moreno-King discuss how they re-designed the show’s characters, while moving to a new production studio, to bring more realism and texture to the FXX and Hulu show’s backgrounds, characters, and performances.
The tech giant and streamer have launched a 3-part series about the talented women behind the new animated feature, the hurdles they have overcome, and how their journeys enabled them create and claim their own ‘luck.’
The artist, who began his career as an illustrator for ‘Mad Magazine,’ cemented his legacy by creating the heroes and villains of many stop-motion holiday classics.
The creator and executive producer of Adult Swim’s acclaimed animated avian sitcom talks about metaphorical trees, lost ideas, generational feminism, and the making of a hit series uniquely resurrected after its one and done at Netflix.
Recent graduates Jacey Robinson, John da Fonte, and Julianna Mercado discuss their efforts to secure challenging and enjoyable industry work, how they keep up on new tools and technology, and how their college prepared them for the rigors of professional production.
