With a team led by VFX supervisor Jan Krupp, the leading visual effects company delivered 235 shots on the Netflix adventure-comedy about 2 former CIA spies who are dragged back into the world of espionage when their cover is blown.
Led by VFX supervisor Mathieu Dupuis, the studio’s visual effects work brings audiences back to medieval times, with a touch of faerie tale and fantasy elements, including unique castles, enchanting countryside, and the spikey Stone Mountain cave where the titular character, played by Millie Bobby Brown, meets a fire-breathing dragon.
The VFX supervisors explain director Gareth Edward’s innovative, slightly radical new approach to filmmaking, a type of ‘reverse engineering,’ including the integration of visual effects, when during the process they’re created, and when it’s best not to use them, on his multiple VES Award-winning sci-fi thriller that’s been nominated for a Best Visual Effects Oscar.
The visual effects studios recreated 1960s New York City, complete with city street and subway chases – and digital horse - and an ancient undersea trireme shipwreck dive that included digital doubles, digital creatures, and dry-for-wet effects, respectively, on James Mangold and Lucasfilm’s final ‘Indiana Jones’ cinematic franchise adventure.
Netflix’s Emmy Award-winning series boasts colorful and emotive CG characters, forgoing the soft, rounded look of cell-shading that’s much easier to produce but not nearly as sharp, snappy, or stylized.
CG supervisor Bryant Reif and his team created ‘The Shortcut,’ an entirely CGI transatlantic ocean liner modeled after the Queen Mary, along with digital people, oceans, docks, wakes and waves, for Season 2 of the series, now streaming on Disney+.
Led by VFX supervisor James HattSmith, the studio delivers 360 shots filled with a wide range of expansive visuals on the Netflix dark fantasy that follows the journey of Morpheus, the King of Dreams, captured and held prisoner for over a century, who struggles to fix the chaos his absence has caused.
Led by VFX Supervisor Tommy Tran, the studio produced massively complex visuals on 1,827 shots in Season 3 of Seth MacFarlane and Hulu’s sci-fi comedy, including bigger and more complex planets, space battles, and an impressive, completely overhauled USS Orville.
The Oscar-winning VFX studio creates a hostile planet, battling robots, and a lost civilization for Netflix’s hit sci-fi series about the inter-galactic adventures of the Robinson family… that’s always in danger!
Studio shares visual effects breakdown reel showcasing rockets, explosions, fire and other action graphics replacement work they delivered across 516 shots on Netflix’s live-action sci-fi neo-noir adaptation of the famed anime.
Goodbye Kansas Studios delivers a hallucinogenic trip complete with trippy effects, speaking animals, and psychedelic glitter, in Sarah Adina Smith’s drama about two elite ballet dancers forced to compete for a prestigious job.
