Challenged with recreating authentic visuals depicting the 1952 Helsinki Olympic Games, the studio transformed sports stadiums, filling them with virtual crowds.
From functional wingspans to alien throat anatomy, DNEG animation director Robyn Luckham discusses his work on Denis Villeneuve’s masterful epic adaptation of the Frank Herbert sci-fi classic.
Two of the director’s previous collaborators - production designer Patrice Vermette and editor Joe Walker - along with first timer, cinematographer Greig Fraser, teamed together to help him bring author Frank Herbert’s famed sci-fi novel, long thought unadaptable in cinema, to the screen.
Electronic Art’s Marcom Game Capture team’s multi-disciplinary approach gives fans the intensity of in-game play with a look at the upcoming November 19 release of ‘Battlefield 2042’s third distinct multiplayer experience, ‘Hazard Zone.’
We Made A Thing Studios animates the Moruya-born artist’s new single, a story that transforms sadness and angst into a shimmering emo-anthem of hope and acceptance.
Veteran Buck NY designer shares advice for mid-level creatives, including early career building; pitching, briefing & idea development; moodboards, storyboards, style frames & concept art; and reflection on the future.
Studio prevised over 3,000 shots, postvised over 700, and techvised countless others, working 83 straight weeks until the COVID-19 lockdown, then quickly transitioned to a remote pipeline to complete production on Universal and Justin Lin’s ninth ‘Fast & Furious’ franchise action thriller.
Company adds video, VFX and image editing software tools to its already extensive catalog of high-quality creative assets, increasing its service offerings to creators.
London-based Juppi Juppsen and Mathias Lemaitre Sgard’s new animated short pays vibrant homage to classic sci-fi and disco with a story about a space superhero, his female droid, and their search for an ancient artifact holding the essence of music.
Paramount+’s critically acclaimed daily news satire series welcomes animated host Kenneth Parsons, who will get up close and personal, in studio, with real life guests; June 11 debut features famed novelist Salman Rushdie.
Leading visualization company and their ARENA virtual camera system helped the filmmaker and his VFX team plan, visualize, shoot, and deliver key astronaut spacewalk and airlock death sequences on their Oscar-nominated, VES Award-winning sci-fi drama.
Fresh off Soul’s double Oscar-winning performance, the studio, along with Tina Fey and a gang of five heck-raisers, returns to the enchanting and mystical world of the Great Before, in a brand new short directed by Kevin Nolting.
Kevin Nolting and Lee Harting, respectively, win Eddies at 71st annual ceremony, held Saturday night, that recognizes outstanding editing in 14 categories of film, TV, and documentaries.
Available now, the new version streamlines color grading through FX and editorial with machine learning features, more tightly integrated toolset, and enhanced support for remote review sessions.
Hit animated comedy gets new season order ahead of its May 23 Season 2 debut; new episodes will air on Mondays in front of all-new animated comedy ‘Housebroken’ starting May 31.
Haz Dulull and He Sun deliver an exciting game cinematic spot for Rebellion’s latest release, produced with a USD-based Houdini pipeline, Unreal Engine, and Redshift.
Winners to be announced live at the American Cinema Editors virtual awards ceremony set for April 17.
Full service creative shop’s innovative workflow helps deliver time and money-saving VFX, color, and editorial on projects like ‘Sixth of June’ and ‘Love 40.’
The artist discusses the ins and outs of what an editor for animation does, and what it takes to produce a new episode each month of his own indie show.
Integration will optimize inter-departmental collaboration, enhancing overall service offerings; leading the transition are award-winning editors Eddie Kesler and Matt Barron.
Show returns for second season with March 4 special to celebrate rebranded streaming platform’s launch; new daily segments begin March 8.
Created to honor the studio’s late employee, an alumnus of Algonquin College, the $5,000 annual gift will reward a Film and Media Production program graduate with passion for excellence in editing matched by leadership, mentoring, kindness, and desire to learn and grow in the editorial field.
Having joined the creative production studio’s roster in 2018, artist now takes the lead on growing slate of projects while helping mentor emerging talent.
Adam Maciaszek, the mind behind ‘The Skeleton Dance’ 4K remaster, discusses his AI-assisted process as well as upcoming classic cartoon restoration projects.
New effects are customizable and can apply instantly to keyframes or across the entire sequence.
