Annecy `98 Award Winners
The 1998 Annecy International Animated Film Festival took place Tuesday, May 26 through Sunday, May 31 in Annecy, France. Check out the winners!
The 1998 Annecy International Animated Film Festival took place Tuesday, May 26 through Sunday, May 31 in Annecy, France. Check out the winners!
Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. See what Educators have to say.
Buzz Potamkin tells us how the much-awaited first annual Annecy International Animated Film Festival faired.
Ilene Hoffman reviews Warner Bros. Feature Animation's highly-anticipated first fully-animated feature film, Quest for Camelot
Joe Cloninger, Director, DH Institute of Media Arts, Santa Monica, U.S.A. Before anyone starts here we make sure the expectations are sensible and they know the great rewards as well as the harsh realities of being in this industry. We point out weaknesses and strengths that an individual may have so they are on solid ground to build a true career path. Once they get into the program we expose them to people in the industry through a lecture series and encourage them to get out and explore the industry themselves through SIGGRAPH meetings, events, conferences, user groups, etc. We also...
Nag Ansorge oque son expience d'enseignement la clinique psychiatrique de l'Universitde Lausanne, et drit le processus de production et les films d'animation realis. Article disponible en franis et en anglais.
A digital opera in three dimensions, combining the theatrical direction of Robert Wilson, the music of composer Philip Glass and the 3-D stereoscopic animation of Kleiser-Walczak Construction Company (KWCC).
Brazilian director Marcos Magalhs describes his experience teaching the animation process to renowned artist Fernando Diniz, creator of Eight Point Star and a patient in a Rio de Janeiro mental hospital.
Independent animator John R. Dilworth describes his experiences as a preselection committee member for the 1998 Zagreb Festival of Animated Films.
Melissa Chimovitz profiles the healthy independent animation scene in New York, focusing on the work of seven animators: George Griffin, John Canemaker, Kathy Rose, Debra Solomon, Steve Dovas, Lewis Klahr, Janie Geiser.
William Moritz reviews the ninth Stuttgart Animation Festival which took place from April 3 through April 8, 1998 in Stuttgart, Germany.
Nag Ansorge discusses his teaching experiences at The Psychiatric Clinic of the University of Lausanne and describes the patients' animation production process as well as the films that they created. In English and French.
The British Academy of Film and Television Artsheld its 50th British Academy Film Awards in London on Sunday, April 19.The winner for Best Short Animated Film is Aardman's "Stage Fright," byHelen Nabarro, Michael Rose and Steve Box. In the category, BestAchievement in Special Visual Effects, the winner is "The Fifth Element.
A review of the 1998 Brussels Cartoon and Animated Film Festival, by Valie Hamon-Rivoallon. Available in French and English.
Heather Kenyon interviews Max Howard, President, Warner Bros. Feature Animation, on his thoughts about the creation of a state-of-the-art studio, its' second feature Quest for Camelot, and the future of the animated features business.
Film preservationist Jere Guldin highlights the holdings of the largest university-based media archive in the United States. With over 200,000 select holdings, the UCLA Film and Television Archive in Los Angeles is a gem.
An article by Christian Coppin describing his experiences with an animated film project about drug awareness that links Bolivia with Europe. The project was completed with Belgium's Atelier Graphoui, an animation studio that works on pro-social projects.
Wild Brain's Dave Marshall, co-director of FernGully 2, discusses how he tailored the pre-production process of FernGully 2 to guarantee the best final film for the budget.
Wild Brains Dave Marshall, co-director of FernGully 2, discusses how he tailored the pre-production process of FernGully 2 to guarantee the best final film for the budget.
Emru Townsend reviews Piet Kroon's new film, T.R.A.N.S.I.T., a fascinatingly complex journey of imagery and story.
Independent German filmmaker Kirsten Winter describes her unique pre-production process of working with composer Elena Kats-Chernin, while developing her visuals.
"The storyboard is the visual blueprint of the film. Whatever strengths or weakness appear in the storyboard will almost certainly show up in the finished film. If you want to see it in the film, it must be in the boards, every pose, every expression, everything."
- Dave Marshall and Phil Robinson, Wild Brain.
Editor's note: As a supplement to Dave Marshall and Phil Robinson's article about the pre-production process of creating FernGully2: The Magical Rescue, Animation World Magazine is pleased to offer this visual supplement of storyboard panels from the film. All art on this...
Barry J.C. Purves shared his sentiments on the coming of the computer. Now Barry's back to share his thoughts on the last two years that have been both exhilarating and disappointing for him.
On the 40th anniversary of Estonia's Nukufilm, Heikki Jokinen went for a visit to profile the puppet animation studio and their place in the post-Soviet world.