Academy Award-winning industry veterans Eric Brevig and Greg Butler join the visual effects and animation company at a time of unprecedented growth.
‘1917’ also takes home Oscars for Best Cinematography and Sound Mixing in the final ceremony of the 2020 awards season.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
‘Grandad was a Romantic’ by Maryam Mohajer wins for British Short Animation; Roger Deakins wins for Cinematography on ‘1917.’
Contenders in the animated feature, animated short film and visual effects categories share their initial reactions to their nominations for Oscar gold.
Dean DeBlois’ ‘How to Train Your Dragon: The Hidden World,’ Jérémy Clapin’s ‘I Lost My Body,’ Sergio Pablos’ ‘Klaus,’ Chris Butler’s ‘Missing Link,’ and Josh Cooley’s ‘Toy Story 4’ receive nominations for Best Animated Feature.
‘A Shaun The Sheep Movie: Farmageddon,’ ‘Frozen 2,’ ‘Klaus’ and ‘Toy Story 4' get nods in Animated Film category; ‘1917,’ ‘Avengers: Endgame,’ ‘The Irishman,’ ‘The Lion King’ and ‘Star Wars: The Rise of Skywalker’ nominated for Special Visual Effects.
London, Montreal, Vancouver and Bangalore facilities deliver more than 1,000 VFX shots for the first installment of Universal’s ‘Dark Universe’ monster movie franchise.
Led by VFX supervisor Greg Butler, MPC completes 200 shots -- including complex 3D work -- for Clint Eastwood’s Oscar-nominated feature.
