Trio of strategic talent acquisitions — Robert Mulligan, Blake Rice and Josh Hamilton — bolsters the company’s creative leadership across key studios.
Eight innovative artists will share how they make, show, cut and animate clay with daily sessions running October 3-6 at the Pratt Institute, Department of Digital Arts in Brooklyn – tickets are now on sale.
Signe Baumane’s award-winning animated feature about a spirited young woman determined to find love in a bewildering world will begin its U.S. cinema run at the Quad in NYC on October 6 and the Laemmle Glendale in LA on October 13.
Inna Sahakyan’s harrowing film tells the story of Aurora Mardiganian, who escaped the Armenian Genocide before embarking on an odyssey that took her to the heights of Hollywood stardom.
The annual animation film festival celebrates 20 years in New York at Brooklyn’s BAM August 18-20.
PPC funding for post increases from $25 million to $45 million and gets extended to 2034; cited studies show the program has contributed $156M to the state’s tax revenue.
The Sunset and Seward post-production facilities location offers 115,000 square feet across 6 floors that include 5 D.I. theaters, 13 color bays, and 22 online edit rooms.
The New York International Children’s Film Festival announces its program line-up, inviting kids and families, young and old, to take a journey through film; the event runs March 3-19.
The show's animation workers become second NY group in the last 30 years to vote for representation by The Animation Guild, IATSE Local 839, following Titmouse’s historic vote in January 2022.
Studio creates both CG people and environments to accurately portray NYC in the 1950s and 1970s for Paramount+’s 10-part series about the creation of Francis Ford Coppola’s 1972 classic, ‘The Godfather.’
Joyce Boll named EVP of Features & Episodics; east coast post-production veteran will spearhead VFX house’s growth and presence in New York.
SR Socially Relevant Film Festival New York is coming March 16 – 27 featuring in-person and online screenings; selections aim to highlight the human condition and raise awareness.
Technicolor Creative Studios merges the 2 companies, creating the world’s largest VFX studio for the advertising and brand experience industries.
Boutique studio further bolsters creative team with the addition of Jonathan Lee and Weicheih Yu as CG leads.
Design company sends an owl soaring through Central Park in ‘Magical Menagerie,’ using wintery 2D and 3D animation to showcase the park’s iconic statues as well as the brand’s latest collection.
VFX house creates campaign and 3-minute anthem film that showcases its ‘sales reel’ from 1981 complete with fictional relics from the past.
Celebrating 25 years, the Oscar-qualifying event aims to promote a more intelligent and diverse film culture for kids; submissions are now being accepted in shorts, features, animation, and live-action.
Series of interconnected co-located facilities will provide one-stop shopping for technology, talent and creativity servicing the entertainment, advertising, and brand experience industries; campuses coming soon to Soho, London, Soho, New York and Culver City, Los Angeles.
Long-time leaders from VFX company’s New York facility go south, bolstering team at growing Georgia location; Kubovick assumes role as head of studio and senior VFX supervisor with Seguin serving as head of production and executive producer at her new post.
The visual effects studio has opened a new office in NYC’s Financial District; the new digs are part of the company’s global expansion strategy and will accommodate its growing staff.
Industry veteran brings expertise in digital production and original IP development; will be tasked with advancing the studio’s vision and distinct approach to animation.
For launch weekend of Hulu’s highly anticipated animated cartoon series reboot, Firefly used next generation holoprojector devices to create first-of-its-kind 3D hologram experiences in iconic locations.
Famed micro-animation series that uses crowd-sourced voicemail messages for content returns with ‘Seagulls’ (#217); hotline phone is back open for callers sharing their 2020 experiences.
Supported by Post New York Alliance and NY State VFX/Animation tax credits, visual effects providers eye a post-COVID-19 comeback.
The School of Visual Arts in New York City is offering a peek at some of its outstanding in-progress thesis projects from the school’s various animation-driven departments.
