The fully managed pay-as-you-go compute service allows users to run and test complex, immersive 3D experiences and visualize large-scale scenarios in real-time.
Written by noted journalist Barbara Robertson, the paper visits the origins of today’s open source technology in modern filmmaking beginning with cutting edge digital visual effects and animation in the 1990s followed in the early 2000s with the release of ILM’s OpenEXR and Sony Pictures Imageworks’ OpenColorIO.
Yates Holley and John Kim have joined forces to offer automotive art direction and visualization; recent projects include a mood film for the IPO launch of Faraday Future, a sustainability-driven EV brand.
Company adds video, VFX and image editing software tools to its already extensive catalog of high-quality creative assets, increasing its service offerings to creators.
25-year studio veteran and previous VP of R & D steps up to role previously held by Jeff Wike, who is retiring; new responsibilities include technology-related strategic and creative planning as well as operations of the studio's animation production platforms.
Studio veteran and former VFX supervisor will continue to oversee software development and systems engineering teams, as well as SPI's technical infrastructure, as he moves forward on major initiatives to modernize the VFX and animated feature film pipeline.
Senior technologist brings vast experience in delivering innovative solutions for theme parks, broadcasting, production, gaming, mobile, and big data analytics in mission-critical environments.
For first-time VFX supervisor Stirling Duguid, animating water, lava, pig snot and millions of feathers was only part of the fun producing the sequel to Rovio’s 2016 animated hit, ‘The Angry Birds.’
Serbia-based group will lead Epic and Unreal Engine’s worldwide digital human efforts.
Studio R&D director Paul Carmen DiLorenzo walks us through the studio’s groundbreaking and innovative production system being recognized at this Saturday’s MPAA Scientific and Technical Awards.
