Stargate Studios Names Thayer Jester VP, Business Development
Sales and marketing specialist Thayer Jester joins award-winning production company specializing in virtual production and visual effects.
Sales and marketing specialist Thayer Jester joins award-winning production company specializing in virtual production and visual effects.
Academy Award-winning films are part of the Lighting & Rendering track, a recurring series of presentations among the most relevant and successful components of every FMX program.
Industry veteran has worked on feature films including ‘Tron’ and ‘X-Men: First Class,’ and commercials for high-profile brands such as Nike, Microsoft, and Mercedes-Benz.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins the Oscar for Best Achievement in Visual Effects.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins over the scientific community by depicting the most accurate black hole ever seen.
New video showcases visual effects created for the final installment of Peter Jackson’s ‘Hobbit’ trilogy, including key battle sequences and the destruction of Laketown.
Sixteen-year ILM veteran will oversee all operational matters for Lucasfilm, ILM and Skywalker sound, reporting directly to Lucasfilm president Kathleen Kennedy and Walt Disney Studios president Alan Bergman.
Autodesk and Shotgun Software are CG tools of choice for all 5 Best VFX and 7 Best Picture Academy Award nominees.
Marvel’s Agent Carter marks the first time a Codex/ARRIRAW workflow has been used extensively in series television.
Real-time 3D animation and cinematic rendering tool adds support for Substance, SpeedTree, PhysX and Indigo Render with 10x faster production speed.
First-of-its-kind specialized diploma program features industry-standard curriculum implementing the process and pipeline used at MPC and other Vancouver-area visual effects studios.
Led by VFX supervisor Stu Aitken and art director Jon Beeston, Bristol and Glasgow-based visual effects studio creates the visual effects for the brand-new BBC sci-fi series ‘Eve.’
Framestore's London and Montreal teams deliver over 500 shots to help realize the Wachowski’s lavish and beautifully designed sci-fi universe, including CG hero characters, CG environments, digital doubles, and a host of CG space ships and planets, along with all manner of explosions, fireballs, shattering glass and liquid nano-technology.
Short film narrated by Patton Oswalt is chock-full of visual effects both obvious and subtle, all powered by Red Giant technology.
Hollywood-based VFX facility completes production on a new commercial for Chinese car manufacturer Qoros Automotive using Cospective’s Frankie and cineSync to help cross The Great Firewall.
‘Big Hero 6’ garners five awards; ‘Games of Thrones’ and SSE “Maya” lead in broadcast and commercial wins.
Red Giant’s Magic Bullet Suite 12 delivers GPU-accelerated, real-time color correction and grading, 198 new Looks presets, Streamlined UI and UX, and an all-new Magic Bullet film.
Toronto-based visual effects shop provides feature-quality effects on a television budget with the use of Blackmagic Design’s Fusion Studio.
The Oscar-nominated VFX supervisor breaks down some of the key grand finale action on Marvel’s second ‘Captain America’ hit.
Independent VFX and design house promotes visual effects producer/compositing supervisor to newly-created post of Head of Operations and Strategy.
Oscar-nominated VFX supervisor discusses the challenges of creating two believable CG action heroes.
Visual effects festival, conference and job fair to include presentations on the invisible effects of ‘Birdman,’ ILM’s work on ‘Captain America: The Winter Soldier,’ the making of ‘Dawn of the Planet of the Apes,’ the miniature effects of ‘Interstellar,” and more.
Award-winning executive producer has worked with prominent directors including Traktor, Nicolai Fuglsig, Jake Scott, Stacy Wall, Dante Ariola and Harold Einstein on campaigns for leading brands such as Nike, Budweiser, Adidas, Target and Coca-Cola.