The Animated Politics of 'Chicago 10'
Joe Strike talks with Chicago 10 director Brett Morgan about his mash-up documentary on a watershed event of the 1960s.
Joe Strike talks with Chicago 10 director Brett Morgan about his mash-up documentary on a watershed event of the 1960s.
Just got this press release in the Email:
"Los Angeles (February 14, 2008) – Timothy Harris is writing the screenplay for Imagi Studios’ upcoming CG-animated feature film Astro Boy, it was jointly announced by Cecil Kramer, Executive VP of Production, and Maryann Garger, producer of Astro Boy. Writer of such box office [s]hits as Space Jam, Kindergarten Cop, Twins and Trading Places, Timothy Harris has been authoring screenplays for almost 30 years..."
Damn. And I was looking forward to this one. Well, it's being directed by David Bowers, co-director of Flushed Away, so maybe not all hope is lost.
My first reaction to Kung Fu Panda was, (bored, Droopy voice), whoopee, here we go again: hopeless slob (Jack Black, who else?) makes good in spite of himself, done with that trademark DreamWorks unattractive angular character design.
Mea culpa, friends. I just saw a lengthy promo reel for the film hosted by Ol’ Bullet-head himself, Jeff (nyah-nyah Michael, I’m still a player, what are you doing these days?) Katzenberg – and I am blown away. This is going to turn into an Anton Ego review (end of Ratatouille Anton that is), but here we go.
My first reaction to Kung Fu Panda was, (bored, Droopy voice), whoopee, here we go again: hopeless slob (Jack Black, who else?) makes good in spite of himself, done with that trademark DreamWorks unattractive angular character design.
Mea culpa, friends. I just saw a lengthy promo reel for the film hosted by Ol’ Bullet-head himself, Jeff (nyah-nyah Michael, I’m still a player, what are you doing these days?) Katzenberg – and I am blown away. This is going to turn into an Anton Ego review (end of Ratatouille Anton that is), but here we go.
This is the most gorgeous cgi film I’ve seen to date, in terms of the world it’s created for itself, surpassing Pixar’s best. There are some backgrounds so otherworldly they look as if they came out of a sci-fi film, while at the same time obviously inspired by Chinese landscape art.
Joe Strike chats with Dan Povenmire and Jeff "Swampy" Marsh about their careers and the creation of Disney Channel's new animated series Phineas and Ferb.
Joe Strike braves the (virtual) cold of the Canadian winter to report on the merger of two of Canada's premier producers of animation.
Joe Strike swings through the jungles of production (misses a tree) and finds the details behind Classic Media's revamp of the TV classic, George of the Jungle.
Joe Strike samples a bit of the behind-the-scenes work that went into cooking up Cartoon Network's latest series.
Word on the London Street is that “Howard the Duck” and “The Plague Dogs” are due for a UK DVD release:
http://www.dvdactive.com/news/releases/howard-the-duck.html
http://www.dvdactive.com/news/releases/the-plague-dogs.html
It just so happens I was in London during its original release there in December 86. The movie's posters in the tube stations showed him from the back with only the tip of his bill visible, with the slogan "Howard, A new kind of hero." I guess they didn't want people figuring out they’d paid to see a duck movie until it was too late.
Disney is deservedly getting good notices and making some nice money (it will probably crack the $100mm mark this weekend) off ‘Enchanted.’ Everyone agrees that part of the film’s charm – beyond its winning performances and the half 2D/half CGI chipmunk Pip – is how it tweaks the Disney canon, but in the most affectionate manner.
But I have news, people – it’s not like it’s never been done before. In fact, it’s not even like Disney has never done it before.
House of Mouse ran Saturday mornings on ABC from 2001 through ’04. The show’s premise was not unlike the early 1960’s primetime Bugs Bunny Show. For those of you younger than myself and Jerry Beck, in BBS the Oscar®-winning rabbit hosted a stage show featuring the Warner Brothers characters. New wraparound footage wrapped around shorts from the WB vaults (with an occasional newbie created for the show), often bridging directly into them (in far-from-seamless transitions), while providing a narrative to tie the half-hour together.
Joe Strike ventures to the New York Anime Festival to find an event that goes deeper than most events into the rich world of anime.
Futurama is back, and Joe Strike tells us how the TV series found new life on DVD in the new feature release, Bender's Big Score.
At this moment TCM is blessing Saturday morning viewers who don't care for cartoons or warmed-over news, with Byron Haskin's From the Earth to the Moon (1958). Last time I'd seen this I was a kid on The Late Show (back when the Late Show meant local movies & not David Letterman cracking wise).
I'd forgotten what a turkey this sucker was, as Joe Cotten invents 'Power X' just after the Civil War and uses it to power a moon rocket. (Its design looks swiped from Melies). Haskin did far better work for George Pal (War of the Worlds, anyone? The Power?) not to mention a half dozen episodes of the 1960's Outer Limits, but it's stiff city here, with head-on camera set-ups, cheez-o-rama spfx & dialog that sounds like it was cut 'n pasted straight out of Jules Verne's century+ old novel.
Joe Strike talks to the creators of Disney's Enchanted, who blended new and old to achieve a style that's both fresh and familiar.
Joe Strike gives readers a taste of how DreamWorks Animation worked with Jerry Seinfeld to bring the comedian's vision of an insect society to life in Bee Movie.
Snuck into Ron Diamond's 'Animation Show of Shows' at HBO's NY screening room the other night. (I told security I was Paulie Walnuts, or maybe Paulie's walnuts, I forget which. Oh, and I understand this blogateria I'm part of is part of Ron's entertainment empire - love ya', Mister D!)
A most intriguing assortment of short toons were screened. Some were horribly arty, others artfully heartfelt, but being an old-time Hollywood studio cartoon junkie (if you remember "Meeska, mooska, mouseketeer / mousecartoon time now is here," welcome to my decrepit demographic), I went completely bonkers over a nouveau/retro Goofy 'How To' short from Lassetter's Burbank boys - 'How to Hook Up Your Home Theater.'
Seems like someone outside the animation world finally picked up on Nala's "f*** me' look in "The Lion King:"
http://blogs.guardian.co.uk/film/2007/10/the_lion_king_the_only_walt_dis...
Even a friend of mine who's only a casual animation fan pointed the shot out to me long ago. I've been told that on the DVD (which I don't own myself) commentary track, one of the animators announces 'I can't believe they let us get away with that shot.'
The Guardian's columnist ends his piece with "I've got to check through Bambi for subliminal porn." He won't have to look very hard: the scene where Bambi, Flower and Thumper meet their girlfriends is pretty hot: Thumper starts thumpin' a mile a minute until he keels over in exhaustion (all she has to do is stroke his ear a bit to start him up again), Flower blushes bright red and stiffens like a board while Faline gives Bambi an unmistakable 'come hither' look of her own.
And let's not even go near the various Disney shorts that focus lovingly on punishment administered to various characters' backsides - like for instance the spanking machine put to liberal use in one of the 3 Little Pigs shorts...you're a naughty boy, Walt; naughty, naughty, naughty...
Joe Strike investigates the behind-the-scenes mysteries that go into the creation of The Secret Show.
Boy, I haven't seen an on-air boner like this one in a loooong time. For some reason Nick tried to squeeze 3 11-minute SpongeBob episodes into a half hour time slot just now. (Just now being Friday 28 Sept, 9:30pm eastern time.) Interesting how the third episode's top credits started rolling the same exact time the show's closing credits began rolling - with that third episode sitting inside that box where they usually run a promo next to the credits. Not squeezed into the box mind you, but cropped off by it, with just a peekaboo portion visible inside.
It gets better. The closing credits end with the full screen Nickelodeon splat logo/copyright page - which sat there for a verrrry long time while the episode's audio continued in the background. THEN the episode came back for a minute or so - THEN cut to another closing credits roll, this time with just silence and empty space where that promo usually runs.
Joe Strike talks with Larry Schwarz about the success of his New York-based animation studio Animation Collective, which produces the international hit Kappa Mikey and the upcoming Speed Racer: The Next Generation.