'Amelia' Takes Flight with Mr. X
Wojciech Zielinski of Mr. X describes the challenges of pulling off Amelia in the air as well as on water.
VFXWorld Magazine
'Cirque du' VFX and Vampires
Rhythm & Hues VFX Supervisor Todd Shifflett divulges the secrets behind Cirque du Freak: The Vampire's Assistant.
VES Production Summit to Address Paradigm Shift
VFXWorld gets a sneak peek at the first VES Production Summit, which takes place Saturday at the Ritz Carlton, Hotel, Marina del Rey.
Mike Fink Talks View-D
Prime Focus has a new tool for converting 2-D to 3-D more quickly and efficiently, and Mike Fink tells us all about it.
Getting 'Wild' About Facial Animation
Framestore delivers a new twist on an old technique for Where the Wild Things Are.
Spike Jonze Takes a Walk on the 'Wild' Side
The director of Where the Wild Things Are tells us the secret to his animated success.
Getting into a 'Zombieland' Mood
Mark Breakspear tells VFXWorld what it was like making a zombie flick.
A Previsualization Society is Born
Previs practitioners form their own society and VFXWorld has the exclusive.
'Surrogates': Definitely Not More Human Than Human
Mark Stetson unravels the vfx mysteries of Surrogates.
Getting Bewitched in 'Eastwick'
Entity FX discusses their work on ABC's new Eastwick supernatural series.
'Jennifer's Body': Jaw Dropping VFX
Erik Nordby of MPC Vancouver tells how they transformed Megan Fox into a demon.
Recreating Antarctica in 'Whiteout'
Find out how the terrifying storm becomes a scary creature in the new thriller, Whiteout.
Tech Talk with Sony's Rob Bredow
Sony's new CTO Rob Bredow discusses cutting edge technology on Cloudy with a Chance of Meatballs, Alice in Wonderland and Arthur Christmas.
'Gamer': A New Kind of Mind-Control Mayhem
James McQuaide tells us what it was like working on Gamer with the directing team of Mark Neveldine and Brian Taylor, makers of Crank.
Bekmambetov Talks '9, Wanted 2' and 'Moby Dick'
The hot Russian director Timur Bekmambetov gives us his take on 9 and an exclusive sneak peek of his other projects, including the supernatural Moby Dick.
'The Beatles: Rock Band' -- A New Revolution in Gaming
Ryan Lesser of Harmonix takes us on a magical mystery tour through the making of The Beatles: Rock Band.
'Maya Plugin Power': Miscellaneous Tools Stitching with Seamour
In the latest excerpt from Maya Plugin Power, author Mark Jennings Smith shows readers how to create stitching effects using Seamour plugins from ticket01.
VFX Fall Preview: 10 Movies to Watch
Wild things, natural disasters, robots, freaks, werewolves are just some of the highlights in our fall sneak peek.
Dykstra Talks 'Inglourious Basterds'
VFX guru John Dykstra discusses what it was like working with Quentin Tarantino on his wild World War II opus, which stars Brad Pitt and his merry band of Nazi hunters.
'G.I. Joe': Rising to a New Level of Techno VFX
Boyd Shermis explains the bar-raising exploits of G.I. Joe: The Rise of Cobra in collaboration with Digital Domain, Prime Focus, CIS Hollywood and MPC.
'District 9': Bringing Back '80s Sci-Fi
VFXWorld gets the lowdown on the summer sleeper hit, District 9, from Image Engine, The Embassy and Weta Digital.
'The Time Traveler's Wife': Moving in Style
An artsy Ghost? David Jones tells how The Time Traveler's Wife adds a new visual twist to the genre.
Neill Blomkamp Talks 'District 9'
The hot new director of District 9 chats exclusively about his feature debut, VFX, sci-fi and Peter Jackson.
'The Hunt for Gollum' VFX
Brett Frame, co-owner of Arizona-based FlintFrame, tells us all about their post-production work on the hot 40-minute short, The Hunt for Gollum.
'Hector Corp.': Revenge of the Penguins
DreamWorks animator Gary Lee discusses his live-action short about the horrors of corporate downsizing with VFXWorld.
