The Influence of Religion on Early European Animation
P. Pluie-Toile expounds on the mysteries and surprising richness of religious imagery found in the fledgling works of various European animation industries.
Reviews in Brief
Wendy Jackson reports on new animation music, video and book releases.
Yvonne Anderson: Profile of a Pioneer
Wendy Jackson details the career of Yvonne Andersen, founder of the Yellow Ball Workshop, and pioneer of teaching animation to children.
Editor's Notebook
The Thief and the Cobbler: A Modest Proposal
The Oscars are Coming!
Wendy Jackson reports on new animation music, video and book releases.
Kids Making Animation: A Sampling of Children's Animation Workshops Around the World
A look at what's going on in a selection of children's animation workshops in North and South America, Europe and Israel.
16e Festival du Dessin animé de Bruxelles
Logo du festival par Johan DeMoor.La seizie ition du Festival du Dessin animde Bruxelles, organis par Folioscope se tenait du 4 au 16 frier, piode de congscolaire du Mardi Gras.
Mis part une rrospective sur les pionniers du genre au Mus du Cina, la manifestation belge ait circonscrite cette ann dans une unique salle (celle du Passage 44). L'organisateur en effet, n'ait pas parvenu reconduire un accord satisfaisant avec le "Botanique" (centre...
Trees for Life: Making Life Better Through Fruit Trees and Animation
Heather Kenyon reports how Balbir Mathur and his organization, Trees for Life, with help from Frick Back, are using animation in to help people in the third world plant trees.
Going on Their Own in Vancouver
With animation booming in Vancouver, Sean Maclennan Murch explains how and why studios there are trying to sashay out of contract work and into their own properties.
Children's Animation, a Universal Language?
The BBC's Theresa Plummer-Andrews provides a light-hearted look at the problems and peccadilloes of producing animated children's programming for the international marketplace.
UNICEF Draws on Talent to Advance Children's Rights
Deborah Reber provides a look on how almost 80 studios around the world joined forces to form UNICEF's International Animation Consortium for Child Rights.
The Making of Child Soldiers
John W. Rice relates how he and his fellow artists at Fil-Cartoons in the Philippines created a public service announcement for UNICEF's International Animation Consortium for Child Rights.
Imagina 97
Imagina 97From its start, Imagina has been organized by the French National Audiovisual Institute (INA) to coincide with the Monte Carlo Television Festival (this year celebrating its 37th anniversary). The 16th annual Imagina conference was held from February 19-21 in Monaco and highlighted new imaging and communications technologies. Traditionally, Imagina, like the American SIGGRAPH conference, has been devoted entirely to computer graphics and special effects for film and television. Gradually, it has added such areas as virtual reality, virtual communities on...
16th Brussels Cartoon and Animated Film Festival
Brussels logo by Johan DeMoor.The sixteenth edition of the Brussels Cartoon and Animated Film Festival, organized by Folioscope, was held from February 4-16, during the Mardi Gras school holiday.
Apart from a retrospective held at the Museum of Cinema, this year's event was limited to one movie theater (Passage 44). The organizers, essentially, had not been able to reach a satisfactory agreement with the Botanique (a publicly-subsidized cultural center) that had served as the venue for specialized programs for previous editions.
Festivalgoers nevertheless didn't suffer because of this,...
Imagina 97
Heather Kenyon reports how Balbir Mathur and his organization, Trees for Life, with help from Frick Back, are using animation in to help people in the third world plant trees.
An Interview With George Griffin
Ann C. Phillipon talks with "quintessential independent American animator, George Griffin" about his life and art.
Folk Animation: Low Tech Art in the High Tech Age
John Serpentelli relates his experiences teaching the folk art of animation to children in Philadelphia.
Sporn's Choice: An Independent's Struggle
New York producer Michael Sporn's commitment to making films about human issues has lately led him to animated documentaries for which the children's market has been most receptive. Janet Benn reports.
The Thief And The Cobbler
Ann C. Phillipon talks with "quintessential independent American animator, George Griffin" about his life and art.
Animating Web Sites: Macromedia Flash
Guillaume Calop gives Macromedia's Flash a spin.
On a Desert Island With....Three Kinder Folk and an Animator
Nicolas Bellanger, Arlene Sherman, Yvonne Anderson, Alex Williams
Dirdy Birdy
March 1997's Dirdy Birdy by John Dilworth.
KLIC's Online Animated Musical: Real-Time Animation on the Web?
Kids' Light Intertainment Channel (KLIC) has produced the first animated musical for children on the Internet, using Enliven Viewer, one of the hottest new technologies available for creating interactive content on the Web. With Enliven, a plug-in application for Web browsers like Microsoft Internet Explorer and Netscape, the animation begins to run right away, using a streaming technology to play the first segment, while the other segments download in the background.The Body Shop.Hardly a traditional musical, KLIC's site features Swampland of Gross, Snitchragula, and Alien Body Shop, animated...
The Tail That Wags The Dog, And Other Tales From the 1997 American International Toy Fair
William Moritz gives a quick and dazzling historical overview attempts to create visual music using "color organs."
Death Laughs Among Us: The Films of John Schnall
John Schnall.Independent animator John Schnall has put together a home video of his short films in association with Poteet Music, an independent record distributor based in New Jersey. Among the community of East Coast independents, Schnall is notably prolific; in this regard, his colleague Steve Dovas said that, "To me, what has been most admirable about his career has been the regularity with which he's turned out his funny, wierd, and wholly singular, self-produced animated films." All this abundance has driven Schnall to be able to release a 40-minute video collection at a relatively early...
