Industry veteran Ryan Summers discusses how he got his start and his advice for compiling a portfolio to get a job and kickstart a career in motion design.
Savannah College of Art and Design launches the School of Creative Technology, Animation and Motion, Film and Acting, and Visual Communication: courses in new technologies and STEM disciplines prepare students to lead companies, brands, and studios.
The prestigious, annual international contest garnered 4,400 entries from aspiring design and media entertainment artists; a panel of 150+ judges, including 80 women, selected winners based on criteria including creative, technical, and presentation skills as well as complexity and raw talent.
The motion graphics studio used Cinema 4D, Redshift, and Red Giant to create a host of screen graphics including medical scans, 3D maps, and other futuristic visual elements in the iconic film franchise’s latest outing.
The festival seeks to promote animation and growth in the Asian animation community.
Annual computer graphics conference and exhibition comes to Daegu, South Korea, where it had been scheduled to run in 2020 before going virtual during the pandemic.
The festival's 61st edition is being held June 13-18 by the lake in Annecy, France.
The VIEW Conference is the premier international event in Italy on Computer Graphics, Interactive Techniques, Digital Cinema, 2D/3D Animation, VR and AR, Gaming and VFX.
Scheduled for August 8 – August 1, the event will feature presentations and scheduled sessions, an exciting mix of the high-level cutting-edge research and education, as well as experiential content and events.
Scheduled for September 21 – September 25, the event will feature screenings, virtual artist talks, workshops, and meetings with schools and recruiters.
DNEG’s feature animation division drew on years of cutting-edge VFX production experience to build the pipeline needed to help Locksmith Animation bring Barney and Ron the B*Bot to life.
Industry veteran in motion design, VFX supervision and direction shares advice for mid-level creatives; topics include running your own studio, international collaboration, compositing and VFX, learning 3D, working on title sequences, and reflection on the future.
New spot from inclusive motion design studio highlights both the athletic prowess of Paralympic athletes and the thrill of watching their performances.
Submissions now being accepted through August 15, 2021; coming to Tokyo December 14-17, festival showcases innovative shorts, commercials, VFX reels, simulations, visualizations, cinematics and other exciting, CG animated work.
Industry veteran will lead the design team as the studio continues its expansion; upcoming work will run from hand-drawn 2D to futuristic UI sequences across film, TV, and immersive.
New biweekly show from industry experts Erin Sarofsky and Austin Shaw gives an insider’s look and insights into process, practice, and culture.
Melbourne and Shanghai-based creative studio brings on French company known for creating ‘new worlds which span mediums and realities’; initial project collaborations include Salvation Army campaign and ‘Farlight 84’ trailer.
Production company’s new spot for ESPN and BSSP’s ‘One App, One Tap’ campaign, featuring music by urban pop duo Domino Saints, reimagines iconic athletic moments with added touches of colorful motion graphics and animation.
Entries now being accepted in multiple categories, including shorts, visualizations, VFX sequences, game cinematics, and real-time pieces; deadline to enter is August 1, 2021.
Annual computer graphics conference and exhibition comes to Tokyo, Japan December 14-17.
The free virtual event will celebrate ‘Diversity in Animation;’ the conference will begin on April 21, with the film festival starting April 15 – films will be available on demand after they are aired.
The online event will include both on-demand presentations and scheduled sessions; the conference celebrates the industry and its innovators with a look at where we are and where we are going.
OIAF promotes and exhibits the world’s most cutting edge and quirky animation; programs include screenings, exhibitions, and workshops.
The world’s largest entertainment content market is coming October 11 – 14.
The festival seeks to promote animation and growth in the Asian animation community.
