Deadline for entries in Germany’s annual 3D Animation & Still, Visual Effects, Visualization and Design competition extended to Monday, June 19.
The Microsoft Azure Batch Rendering Platform is built on the Azure Batch platform and allows users to submit render jobs through Maya, 3ds Max and Arnold, and the Azure SDK allows customization and open-source plugins to integrate directly with Maya and 3ds Max.
CSU Animation & Visual Effects present the 14th Anniversary of the Australian International Animation Festival, running Friday, May 12 through Sunday, May 14, 2017.
Award winning animators Wendy Tilby and Amanda Forbis are currently taking on the stage.
Short film adaptation of the poem ‘Monsters’ by Dorothea Lasky employs highly technical workflow to convert 3D VFX elements to 2D animation.
VFX supervisor Mark Bakowski discusses his team’s 10,000 frame, seven-minute ISS interior sequence for Daniel Espinosa’s and Sony’s sci-fi thriller.
Industry event designed to attract top talent and employers.
Picasso Pictures director creates humorous social media campaign for a fictitious drug called Ugrow with a range of colorful animated GIFs and videos.
All-new on-air brand refresh from Buenos Aires-based global branding and creative agency reflects the playfulness and imagination of kids’ lives.
Every Monday, Chris Robinson serves up Animators Unearthed, a brief introduction to prominent and not-so-prominent indie animators. This week's focus is the influential Swedish studio, Filmtecknarna.
Deadline for entries of short films, student films, commissioned works, documentaries and music videos, and animated virtual reality experiences is June 1st.
A message from the future with a warning for all creative souls...
Deadline for submissions of work in 3D Animation, Visual Effects, and Visualization spanning 11 categories for consideration at the animago AWARD 2017 is May 31st.
CG short from Creative Director team Territory questions the divisive nature of media and technology in the modern age.
More than 45 films and series at the 2017 Sundance Film Festival used Blackmagic Design’s digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects and motion graphics software, and other products throughout production and post production.
Creative company celebrating its 20th anniversary in 2017 adds two executives to its Los Angeles studio.
The Kew Gardens Festival of Cinema is a non-profit organization established to support the development, and help expand the audiences, of independent cinema from around the globe.
Every Friday Chris Robinson unleashes some freewheeling cheer or loathing on the animation community to be mused, countered, or disregarded. It’s your call.
Design and content studio creates a bold new look, bringing a premium polish to the NBA on ESPN.
With nearly a decade of experience in motion graphics and design, spanning television, advertising and broadcast promos, Moseley joins Reel FX from Starz Entertainment.
Twenty-two creative jurors representing 10 countries to judge entries from around the world; deadline for entries is January 31, 2017.
Every Friday Chris Robinson unleashes some freewheeling cheer or loathing on the animation community to be mused, countered, or disregarded. It’s your call.
Led by executive producer Joey Cade, Infinite Fiction will focus on high-end motion design and visual effects for all platforms.
The Imaginarium Studios partners with the Royal Shakespeare Company to create a digital avatar projected in real-time utilizing Xsens motion capture technology.
Straightface Studios employs Thinkbox Software’s Deadline coupled with on-demand licensing for The Foundry’s NUKE to manage the facility’s compute resources.
