WATCH: Focus Features Unveils First Look at LAIKA’s ‘Kubo and the Two Strings’
New teaser for stop-motion animated action-adventure set in mythic Japan gives a taste of the film’s ornate visual style and epic setting.
New teaser for stop-motion animated action-adventure set in mythic Japan gives a taste of the film’s ornate visual style and epic setting.
Axis Animation completes compositing for the opening sequence for Microsoft’s ‘Halo 5: Guardians’ Xbox game using Blackmagic Design’s Fusion Studio.
IO Entertainment head and previs supervisor Brad Blackbourn describes how director Sam Mendes used previs for action sequence planning and more on the latest James Bond franchise film.
Awards show and international conference for 3D animation & still, visual effects and visualization moving to Munich for 20th anniversary edition.
Dedicated iOS app for web-based review and approval tool Frankie brings all the collaborative, cloud-based functionality of Frankie to the palm of your hand.
Photoreal short derived from an old Japanese folk tale employs physical sets built in the duo’s living room augmented with CG creatures and extensions crafted using Autodesk Maya and Mudbox and rendered in Chaos Group’s V-Ray.
CG-animated children’s series produced in Singapore picked up by Discovery Kids Latin America and Canal Plus in France.
Former Disney Consumer Products veteran to licensing strategy for Singapore-based CG animation studio’s lead properties, including ‘Insectibles,’ ‘Oddbods’ and ‘Rob the Robot.’
State-of-the-art cinematics for 12 different scenes further immerse players in the series’ most ambitious narrative available for next-gen gaming platforms.
Produced in Korea at EMation, NE4U and Dong Woo Animation for Netflix, new 2D-animated series is executive produced by Brendan Hay of ‘The Simpsons’ and ‘Robot Chicken’ fame.
Animatic with picture-in-picture of the final movie shows what was originally sketched and what ultimately made it into the film.
Microsoft Studios’ 343 Industries builds a new 50-foot by 50-foot motion capture stage outfitted with 50 Prime 41 cameras for character animation and camera tracking.
Forty-third International Conference and Exhibition on Computer Graphics and Interactive Techniques will be held July 24-28, 2016 in Anaheim, California.
The co-directors on Disney’s upcoming 2016 animated feature share how they divide and conquer the enormous tasks -- and pressures -- of helming a big studio film.
Led by VFX supervisor Jeff Campbell and supervising VFX producer George Macri, SpinVFX delivers nearly 150 shots to help bring to life the remarkable true story of the 33 survivors of the Chilean mine disaster.
Disney and Pixar’s ‘Inside Out’ named best animated feature of 2015 by the New York Film Critics Circle.
Character rigging master Brad Clark returns once again to put the latest Autodesk software suite update to the test.
Australian visual effects studio standardizes on Solid Angle’s Arnold as its primary production renderer with a dramatic increase in efficiency.
High-performance rendering now integrated into architecture’s leading design platform; free download available now.
Adobe renames Flash Professional CC to Adobe Animate CC, rewriting the tool from the ground up to add native support for HTML5 Canvas and WebGL as well as outputs to any format.
New tools and workflow improvements include max creation graph enhancements, one-click print studio access, simple simulation data import, text and shape mapping, and more.
Directed by Mat Whitecross and produced by My Accomplice’s Hannah Clark, new video employs performance capture by Andy Serkis’s The Imaginarium and animation and VFX by Paris-based Mathematic.
Iray plug-ins for Autodesk 3ds Max and Maya support NVIDIA’s new distributed rendering solution, Iray Server, now in open beta.