Disney's Atomic Fleet
Mark Langer relates Walt Disney's role inmaking the atom our friend through his relationships with major Americanarms manufacturers, the U.S. government and the production, Our FriendThe Atom.
Mark Langer relates Walt Disney's role inmaking the atom our friend through his relationships with major Americanarms manufacturers, the U.S. government and the production, Our FriendThe Atom.
we asked people involved in animation pre-production to tell us what animated films they would want with them if they were stranded on a desert island
Viacom-owned cable network UPN has reached anagreement with Buena Vista Television to broadcast Disney animatedchildren's programming. Starting in fall 1999, UPN will air a two-hourblock of syndicated, Disney-branded shows which is most likely to includeprograms from the "Disney's One Saturday Morning" block which currentlyairs on ABC: "Disney's Recess," "Disney's Doug," "Disney's Pepper Ann" and"Disney's Hercules." Kellogg's, which sponsored the "Disney Afternoon"syndicated program block, will retain it's primary sponsorship role as the
At last, Anastasia is here with great results. Harvey Deneroff reviews Fox Family Entertainment's first animated feature.
When one thinks of animated videos, one thinks of Disney. Ilene Hoffman takes us inside to meet the key players behind the phenomenon that has influenced the entire industry.
Janet Benn relates how hard work and The Fates helped Nancy Beiman to her rightful place in the Pantheon of Disney Animators.
UCLA Greek literature professor Dr. John Rundin conducts a lively review of Disney's feature adaptation of the traditional Greek fairy tale.
Steve Hulett of the Motion Picture Screen Cartoonists' Union (MPSC Local 839) reviews animation wages of the past, present and future
Robin Allan examines how Disneyland, the progenitor of today's theme parks, came into being and the role animation had in it.
BRC Imagination Arts, one of the oldest and largest producers of animated and live-action ridefilms is profiled by Rita Street.
Frollo, narrator of The Hunchback of Notre Dame. © Walt Disney Pictures.Max Fleischer's motto was "If it could be done with live action, it's not animation," and Dave Fleischer once griped to me about how many thousands of times he had to repeat that to the animators over the years to get them to improve their work with those imaginative, visionary impossibilities that belonged exclusively to the realm of creative animation. What would the poor Fleischer brothers think about the current animation scene, in which almost every animation studio is involved in duplicating...
When Don Bluth suddenly left Disney in the late 1970s to strike out on his own, it led to a chain of events that sparked today's renaissance in feature animation. Jerry Beck provides a brief memoir of the days when Bluth appeared to be animation's white knight and could do no wrong.
R.O. Blechman, who has long charmed us with his films and illustrations, takes a humorous and often sardonic look at the resurgence of all things Disney and what it all means.