The Third Floor’s previs and postvis supervisor Faraz Hameed describes the challenges of more than two years of work on Marvel’s hit supernatural superhero adventure.
Creative software developer’s VFX tools have been utilized in every film nominated for Best Visual Effects at this year’s Academy Awards.
Contenders in the animated feature, animated short and visual effects categories share their initial reactions to their nominations for Oscar gold.
Abstract: Nominees for Best Animated Feature are ‘Kubo and the Two Strings,’ ‘Moana,’ ‘My Life as a Zucchini,’ ‘The Red Turtle,’ and ‘Zootopia.’
Photorealistic production renderer used on more than 150 feature films since 2002, including recent hits like ‘Doctor Strange,’ ‘Deadpool,’ and ‘Captain America: Civil War,’ to be honored for advancing the use of fully ray-traced rendering in motion pictures.
Leading design studios Sarofsky, Perception and SPOV credit Maxon’s Cinema 4D for inspiring creation of main-on-end titles, previz for main assets, medical animations and a new Marvel Studios logo.
From fiery photorealistic oil rig disasters and fractal geometry-based inter-dimensional mind-bending psychic excursions, to a digitally recreated Carrie Fisher as young Princes Leia, this year’s crop of ten best visual effects productions presented at the Motion Picture Academy represent another reminder of the breadth, depth and range of creative artistry and talent within the industry.
Pixar’s ‘Finding Dory,’ LAIKA’s ‘Kubo and the Two Strings,’ and Disney’s ‘Moana’ and ‘Zootropolis’ (‘Zootopia’) receive nominations for best animated feature; British short animation nominees are ‘The Alan Dimension,’ ‘A Love Story’ and ‘Tough.’
Academy’s Visual Effects Branch to view 10-minute excerpts from each of the shortlisted films at the VFX Bake-Off held Saturday, January 7, 2017.
Walt Disney Animation Studios feature tops the North American box office with $18.8 million; Illumination Entertainment’s ‘Sing’ rolls out to international territories ahead of its domestic debut.
Makoto Shinkai’s anime feature debuts to $41 million in China, and passes Hayao Miyazaki’s ‘Howl’s Moving Castle’ to become the second-largest-grossing Japanese film of all time; Disney’s CG-animated ‘Moana’ rules North American box office for second weekend in a row.
The Academy’s Visual Effects Branch Executive Committee to select the 10 films that will advance to nominations voting; nominations for the 89th Oscars will be announced on Tuesday, January 24, 2017.
South Pacific adventure featuring the voice of Dwayne Johnson as the demigod Maui scores number-two Thanksgiving launch of all time among animated films.
Inspired by surrealist art and the works of M.C. Escher, Luma creates the opening sequence in London for Marvel Studios’ blockbuster movie, ‘Doctor Strange.’
The action-adventure film’s overall VFX supervisor discusses visual design, fractals and practical effects used on Marvel’s latest hit.
Freelance creative VFX and finishing artist Cory Davis and designer Dan Tiffany join Sarofsky.
Method Studios tackles the ‘Magical Mystery Tour’ sequence, a mind-bending journey through parallel dimensions that guides Doctor Strange through the multiverse.
Framestore provides more than 365 shots for the Marvel Studios blockbuster directed by Scott Derrickson, with work spanning CG environments and complex ‘Mandlebrot’ sets, digi-doubles of key characters, and the creation of Doctor Strange’s astral form used throughout the film.
In its fifth collaboration with Marvel Studios, Chicago-based design company animates a series of intricate mandalas for the 90-second main title sequence for director Scott Derrickson’s ‘Doctor Strange.’
Co-writer Jon Spaihts discusses the new action-adventure hit film that delves into the supernatural side of the Marvel Cinematic Universe.
The Mouse House posts its biggest year ever at the global box office with $5,851.4 million through Nov. 1, surpassing the studio’s previous calendar-year record of $5,843.8 million set in 2015.
VFX house Framestore uses a 24-camera Vicon system paired with Vicon’s data capture and processing software Blade to precisely capture data straight into Autodesk MotionBuilder.
Creative agency enlists Google Tilt Brush artists Stuart Campbell, Steve Teeple and Danny Bittman to create globe-trotting 360-degree VR experience for Marvel Studios’ ‘Doctor Strange.’
Character effects supervisor Eric Maurer and asset supervisor Oded Raz to bolster studio’s leadership team as the company gears up for the next round of feature work by Blur co-founder and ‘Deadpool’ director Tim Miller.
Marvel Studios to offer fans a sneak peek at 15 minutes of footage from the world’s newest super hero at IMAX theaters on October 10.
