The new spot cues fans into everyday struggles one might expect as a single, 30-something, superhuman lawyer.
VFX supervisor Brian Kubovcik discusses his team’s work creating the devastated urban landscape of various famed New York locations, such as Chinatown and The Manhattan Bridge, in the new HBO Max miniseries, based on Brian Wood’s Vertigo comic series.
The co-founder of recently acquired VFX studio FOLKS will succeed David Altenau, who’ll become Chairman of the parent organization that also includes FuseFX and Rising Sun Pictures.
Previous head of LA studio and global VP of production will lead biz development group and continue focusing on the company’s expansion.
VFX company and volumetric studio team up to accelerate adoption of cutting-edge real-time technology; new effort will facilitate collaboration and R&D to expand virtual productions and volumetric technologies for visualizations and traditional visual effects.
Company opens new facility in Saguenay to capitalize on increased visual effects demand in Québec; move expected to create 60-70 new jobs.
Technology is honored for elevating photorealistic VFX to new heights in episodic productions; the award will be presented by the Television Academy Engineering Committee live at their annual event on October 21
Joce Capper will oversee London studio, working in tandem with her Montreal colleagues; Rebecca Manning joins visual effects team following tenure at FuseFX as digital effects supervisor & head of 2D.
The award-winning visual effects company tackles the time-stage theater, time turner effect, time collar and time door, along with set extensions, meteors and dust effects from the destruction of Lamentis, on Disney+’s latest MCU episodic adventure.
Long-time leaders from VFX company’s New York facility go south, bolstering team at growing Georgia location; Kubovick assumes role as head of studio and senior VFX supervisor with Seguin serving as head of production and executive producer at her new post.
Industry veteran will lead VFX house’s integration of innovative and emerging technologies as key pre-production to final shot service offerings.
Netflix has shared a breakdown reel from their critically acclaimed magical fantasy series, based on Leigh Bardugo’s bestselling novels, just renewed for a second eight-episode season.
Alan Precourt named VFX supervisor; Caitlyn Tomasik joins as head of production.
The visual effects studio has opened a new office in NYC’s Financial District; the new digs are part of the company’s global expansion strategy and will accommodate its growing staff.
Award-winning visual effects company creates a mysterious alien ship, its crash wreckage, and a dimensional window, all obviously engineered by beings not of this world, for the new sci-fi mystery series.
In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’
Leading VFX company continues its expansion efforts with purchase of Australia-based high-end visual effects studio; combined companies will have close to 800 artists in eight locations around the globe.
VFX supervisors Brigitte Bourque and Marshall Krasser share insights into their innovative visual effects work on shows like ‘Upload’ and ‘9-1-1: Lone Star.’
VFX supervisors Ariel Altman and Josh Miyaji share insights into their innovative visual effects work on shows like ‘Mr. Robot,’ ‘Barry,’ and ‘I Know This Much is True.’
Global growth triggers L.A. staffing shift; VP of production, Johnny Fisk, takes new active role in global business development group.
Senior technologist brings vast experience in delivering innovative solutions for theme parks, broadcasting, production, gaming, mobile, and big data analytics in mission-critical environments.
VFX supervisor Laurent Spillemaecker and his Montreal team turned Toronto into early 1960s Dealey Plaza and surroundings with an exacting, detailed set of CG environments, people and digital assets.
Production VFX supervisor Marshall Krasser walks through some of the 1,400 visual effects shots his team produced on Greg Daniel’s new Amazon Original series just released May 1.
After a year of steady growth, visual effects house bolsters its NYC office roster with hiring of two new VFX supervisors.
VFX supervisor John Heller discusses how his FuseFX team delivered over 800 shots of invisible, photorealistic visual effects on the otherworldly Stephen King crime thriller.
