Journeying Into the Unknown Effects of ‘Frozen 2’
Veteran VFX supervisor Steve Goldberg returns to Arendelle to once again wrangle resources for a formidable array of challenging effects sequences.
Veteran VFX supervisor Steve Goldberg returns to Arendelle to once again wrangle resources for a formidable array of challenging effects sequences.
Based on Adam Reed’s hit FXX series, new narrative-driven idle game takes players into the dysfunctional, high-stakes world of espionage, Archer style!
Creative studio collaborates with 215 McCann, XBOX and The Coalition to produce, design and animate three key pieces of game launch content.
Three veteran creatives join West Coast office of post-production company specializing in VFX, animation and coloring.
Shanghai-based production company delivers VFX-driven spot featuring swordplay, lava monsters and plenty of mayhem to promote computer maker’s Predator line of gaming hardware.
Epic conclusion to 11-year MCU ‘Infinity Saga’ now available, stuffed with hours of different fan-favorite extras based on version and format bundling.
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
Art director Chad Hurd and associate art director Justin Wagner share 26 storyboards from Season 10 of Adam Reed and FXX’s hit animated comedy series.
Chad Hurd and Justin Wagner share artwork and creative insights on our favorite FXX animated misfit ensemble that has taken its incessant backbiting to the Cosmos in a new season of robots, aliens, space battles, excessive drinking and boner references.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
With a 'snap,' Weta Digital helps brings closure to both Josh Brolin’s seemingly unstoppable villain and the foundational storyline from the MCU’s first 10 years.
Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.
Acclaimed creature FX studio co-produced and created puppets, prosthetics, animatronics and more for the Netflix feature.
Call was expected after network put production on hiatus in November after the comic confessed to sexual misconduct.
Animal Logic animation director Matt Everitt, FX supervisor Miles Green and CG/VFX supervisor Greg Jowle discuss the unique challenges of crafting ‘The LEGO Ninjago Movie.’
Newly-launched festival hosts the U.S. premiere of The Weinstein Company’s ‘Leap,’ along with a presentation from animation director Ted Ty of L’Atelier Animation.
Executive producer Matt Thompson and art director Chad Hurd share artwork and behind the scenes production insights into the highly-stylized Season 8 visual redesign.
Season 8 may be just a hard-boiled film noir private eye thriller, but Mother’s a crime boss, Pam might be a man and all hell is surely gonna break loose.
Along with a slew of VFX breakdown videos and images, ‘Piper’ supervising technical director Brett Levin details the tools and techniques employed on director Alan Barillaro’s Oscar-nominated CG short.
Acclaimed creature effects studio currently in production on special effects for ‘Underworld: Blood Wars,’ ‘ Legion,’ ‘The Expanse’ and ‘Prison Break.’
Working alongside production VFX supervisor Erik Nordby, MPC VFX supervisor Pete Dionne and VFX producer Tomi Nieminen oversaw a team of around 600 artists to create more than 1,100 shots for director Morten Tyldum’s space adventure.
Led by VFX supervisor Andrew Morley, Cinesite delivers just under 100 shots for ‘Fantastic Beasts and Where to Find Them,’ including environments of prohibition-era Manhattan, set extensions and the creation of a magical dinner.