Tagged With: ILM
EFILM Delivers Worlds of Color for Disney’s ‘A Wrinkle in Time’
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
How ILM Animated the Avatars from Steven Spielberg’s ‘Ready Player One’
Industrial Light & Magic had a blast creating the virtual world of the OASIS and tripping down memory lane with spot-on recreations of the DeLorean from ‘Back to the Future’ or the T-Rex from ‘Jurassic Park,’ but the avatars were much more demanding.
Inside the OASIS: ILM’s Roger Guyett Talks ‘Ready Player One’
Industrial Light & Magic Artists creates the virtual reality world the OASIS for director Steven Spielberg’s mind-bending joyride.
Uprooted: MPC Tackles Disney’s ‘A Wrinkle in Time’
MPC CG supervisor Chris Downs details the production of 350 visual effects shots for director Ava DuVernay’s adaptation of ‘A Wrinkle in Time.’
ILM’s Richard McBride Helps Conjure Other Worlds for Disney’s ‘A Wrinkle in Time’
Oscar-nominated VFX supervisor takes audiences on a quest through the universe for director Ava DuVernay’s adaptation of the sci-fi classic written by Madeleine L’Engle.
Jaegers and Kaiju Battle Once More in ‘Pacific Rim Uprising’
Overall VFX supervisor Peter Chiang talks previs, techvis, drones and Chinese sound stages on Steven DeKnight’s sequel to Guillermo del Toro’s 2013 sci-adventure romp.
Piecing Together the Puzzle: Bringing ‘Black Panther’ to the Screen
Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit.
Jeff White Named Creative Director of ILM Vancouver
Academy Award winner and visual effects supervisor of ‘Kong: Skull Island’ takes creative reins of ILM’s Canadian studio.
The 2018 VFX Nominees: Doubling Down on Digital Effects
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
The 90th Oscars: The Visuals of ‘Star Wars: The Last Jedi’
One of five films to receive a nomination for best visual effects in this year’s race for Oscar gold, ‘Episode VIII’ mixes new characters with those from the 1977-1983 films in wholly new environments.
On the Road to the 90th Oscars: The VFX of ‘Kong: Skull Island’
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Reinventing a Galaxy Far, Far Away: Kevin Jenkins on Designing ‘The Last Jedi’
From preproduction through postproduction, design supervisor Kevin Jenkins helps safeguard the visual language of the Star Wars universe for the eighth episode in the iconic franchise.
Previs in China: Evolution or Revolution?
Does the Middle Kingdom’s growing use of quality previsualization efforts portend greater VFX-heavy film success to come?
ILM, Pixar, DreamWorks Among 10 Academy Sci-Tech Honorees
Fotokem Creates New World of Post For ‘The Last Jedi’
Hand-in-hand with filmmakers, FotoKem’s creative and technical teams supported global production on a massive scale.
Worlds of Wonder: Winter 2018 VFX Preview
This winter offers a franchise reboot, massive destruction on a global scale, and the return of Paddington the bear, but the real story just might be the worlds of wonder conjured up for the Disney adaptation of ‘A Wrinkle in Time.’
Balancing Act: ILM Blends VFX Innovation with Franchise Consistency in ‘The Last Jedi’
Led by production VFX supervisor Ben Morris, visual effects powerhouse Industrial Light & Magic confidently seeks to honor the innovative spirit of the series without losing its heart.
Assembling an Epic: The VFX of ‘Thor: Ragnarok’
Marvel Studios VFX supervisor Jake Morrison oversaw just under 2,700 shots contributed by Framestore, Digital Domain, Double Negative, Industrial Light & Magic, Rising Sun Pictures, Method Studios, Iloura and Luma Pictures for the third instalment of the God of Thunder franchise.
Creative Talent Network Animation Expo Returns to Burbank Nov. 17-19
CTNX 2017 puts the talent center stage with appearances by legendary animator Glen Keane and NBA star Kobe Bryant, Pixar director Pete Docter, internationally renowned artists Jordi Lafabre, Frank Pe and Tomer Hanuka, and more.
Animation Mentor Unveils New Digital Platform
Online school offers advanced feedback tools and social-media-style interaction between students and professional mentors.
ILM Delivers Hellfire and Damnation for Darren Aronofsky’s ‘mother!’
Industrial Light & Magic VFX supervisor Ben Snow details the range of destruction and fiery visual effects created for the Paramount feature starring Jennifer Lawrence and Javier Bardem.
Capita’s Former Software Chief Joins Foundry as New CEO
Experienced software and tech exec Craig Rodgerson will spearhead developing the company’s strategic direction and building its product line.
The Industry’s Best and Brightest All Set to Share Their VIEW
The 18th VIEW Conference in Turin, Italy gets ready to present its biggest program ever of top animation, VFX, VR and game industry experts.
WATCH: ILM’s Russell Earl Talks the VFX of ‘Captain America: Civil War’ at VIEW
The veteran VFX supervisor discusses digital doubles, animating believable performances and handling on-set technical challenges while shooting Marvel’s smash super hero hit, ‘Captain America: Civil War.’