Academy Award-winning VFX industry veteran has contributed to more than 30 feature films, including blockbuster hits ‘Men in Black,’ ‘Pearl Harbor,’ ‘Hook’ and ‘The Maze Runner.’
VFX producer Kimberly Nelson LoCascio wrangles two VFX supervisors and multiple VFX houses to help deliver more than 2,300 visual effects shots for director James Wan’s take on the DC Comics super hero.
A magical trident holds the key for half human, half Atlantean Arthur Curry to unite the worlds of above and below in Warner Bros’ epic undersea action-adventure.
Studio launches division to provide visual effects and animation services for TV and streaming content producers.
Look dev artist for the Harry Potter franchise and lead compositor on the Oscar-winning ‘The Jungle Book’ to work across Framestore’s Advertising, Television and Immersive divisions.
Legendary ILM senior VFX supervisor and creative director will present this October at the Turin event.
Presentation on Warner Bros. upcoming action-adventure, featuring Jason Momoa as the aquatic DC Comics superhero, rocks the Hall H audience.
A behind-the-scenes look at blockbuster films and hit TV shows with Digital Domain, Method Studios, ILM and Scanline VFX among featured presenters.
Industrial Light & Magic animation supervisor Jance Rubinchik describes the joys of playing with dinosaurs for ‘Jurassic World: Fallen Kingdom.’
Industrial Light & Magic employs its traditional hybrid approach to combining practical and CG effects for grounded performances.
ILM’s John Knoll re-elected to the visual effects branch in annual vote.
SIGGRAPH 2018 runs August 12-16 in Vancouver.
From in-camera effects to the latest virtual production techniques, Industrial Light and Magic’s newly appointed head rounds up more than 1,800 VFX shots for the Star Wars stand-alone anthology space western.
Co-producer of the highly anticipated ‘Star Wars’ feature is the newly appointed head of ILM.
Method VFX supervisor Greg Steele oversees delivery of 430 shots for the culmination of the Marvel Cinematic Universe, including upgrades for Rocket and Groot featuring hand-keyed character animation.
Grant Walker and Ahmed Garraph join the leadership ranks for the studio’s advertising, television and immersive entertainment work.
TTF previs creative director Joshua Wassung, previs supervisor Todd Constantine, and storyboard head Doug Lefler collaborate with director Steven Spielberg on a host of visual gags for the sci-fi feature’s complex race scene.
Lucasfilm division also promotes Gretchen Libby to VP, marketing and production.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Industrial Light & Magic had a blast creating the virtual world of the OASIS and tripping down memory lane with spot-on recreations of the DeLorean from ‘Back to the Future’ or the T-Rex from ‘Jurassic Park,’ but the avatars were much more demanding.
Industrial Light & Magic Artists creates the virtual reality world the OASIS for director Steven Spielberg’s mind-bending joyride.
MPC CG supervisor Chris Downs details the production of 350 visual effects shots for director Ava DuVernay’s adaptation of ‘A Wrinkle in Time.’
Oscar-nominated VFX supervisor takes audiences on a quest through the universe for director Ava DuVernay’s adaptation of the sci-fi classic written by Madeleine L’Engle.
Overall VFX supervisor Peter Chiang talks previs, techvis, drones and Chinese sound stages on Steven DeKnight’s sequel to Guillermo del Toro’s 2013 sci-adventure romp.
Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit.
