Other highlights include an in-depth exploration of the VFX in the psycho-drama series ‘Severance’ and a close look at the technical accomplishments of Walt Disney Animation Studios’ ‘Moana 2.’
The former ILM GM and Digital Domain co-founder’s memoir, ‘Upstart: The Digital Film Revolution - Managing the Unmanageable’ provides insights and strategies for navigating treacherous, highly competitive creative entertainment industries, while reflecting on the films, people and studios responsible for the birth of modern VFX-driven filmmaking and how his efforts were largely pushed aside and ignored by former colleagues and industry leaders.
After years of R&D and an expansive beta program, Vicon's Markerless solution hits the market; it allows users to instantly visualize ideas with the Vanguard markerless motion-tracking camera and new software incorporating advanced computer vision, machine learning, and algorithms.
The official, comprehensive, lavishly illustrated coffee-table book by Drew Taylor features exclusive imagery and commentary from director Shannon Tindle and co-director John Aoshima.
ILM VFX supervisor Hayden Jones reveals how his team merged anime styling with cutting-edge visuals including hand-drawn transitions and ‘Akira’-inspired lens flares to create a love letter to classic manga.
The Emmy Award-winning composer shares for the first time how his daughter’s serious accident, in the middle of production, brought him even closer to his role as a parent while influencing his work writing music for a film with so many uncomfortable parallels about trying – and sometimes failing - to protect one’s family.
From the Minotaur and the Chimera to the Underworld and the pit of Tartarus, Senior VFX Supervisor Erik Henry talks about what it took to create the mythological universe for the hit Disney+ series, now streaming.
The film, which follows the half-human, half-vampire Eric Brooks as he seeks revenge for the death of his mother, will no longer debut on November 7, 2025; Mahershala Ali is still expected to star alongside Mia Goth in an undisclosed role.
Dr. Maria Elena Gutierrez’s annual ‘must attend’ confab in Turin, Italy has been bringing the industry together for a quarter century, an event where top professionals from across animation, VFX, and games share their latest achievements and future plans… whether in front of an eager audience or a gleaming white bowl of pumpkin risotto; this year’s celebration of all things animated runs next week, October 14-19.
Jonathan Nolan, Fede Alvarez, Kelsey Mann, and Chris Sanders are just a few of the top speakers who’ll be attending as the English-speaking event celebrates its 25th anniversary, bringing together industry professionals, students, and enthusiasts in a celebration of the latest achievements in animation, VFX, and games; the event runs October 14-19 in the beautiful baroque city of Turin, Italy.
Composer Scot Stafford talks about his highly collaborative experience providing the music for Shannon Tindle’s thrilling hit animated film about an egotistical baseball star turned superhero and reluctant parent to a young kaiju, now streaming on Netflix.
The ‘Lovecraft Country’ director parts ways with the Marvel Studios film about the half-human, half-vampire Eric Brooks, who seeks revenge for the death of his mother; the movies is still supposedly slicing into theaters November 7, 2025.
Shannon Tindle’s new 3DCG feature combines breathtaking visual design with a heartfelt story that explores themes of family and identity through the journey of a young athlete, Ken Sato, struggling to balance his life as a baseball star and a giant superhero when suddenly faced with raising a baby kaiju.
Day-long symposium at the 2024 Annecy Festival tackled emerging industry innovations, the power of community in the evolving animation landscape, and how to support gender equity in animation.
Writer/Director Shannon Tindle and co-director John Aoshima talk about the many creative synergies that fueled their journey in bringing a venerable superhero - forced to care for a baby kaiju - to a new generation of viewers; film debuts today on Netflix.
Confirmed in-person speakers include Emmy Award-winning director Shannon Tindle with ‘Ultraman: Rising,’ Oscar-winning VFX supervisor Paul Lambert, and ILM Senior VP and CCO Rob Bredow; Italy’s premier animation and VFX event runs October 14-19 in the beautiful baroque city of Turin.
Shannon Tindle’s all-new iteration of fan-favorite Ultraman introduces baseball star Ken Sato, a young man who can transform into a gigantic, kaiju-fighting superhero, rediscovering the powers of family thanks to an unlikely ally – a sweet, 35-foot-tall, fire-breathing baby kaiju; global debut set for June 14.
The epic studio disaster movie returns in a cinematic whirlwind with an adrenaline-pumping, seat-gripping, big-screen thrill ride that puts you in direct contact with one of nature’s most destructive forces; coming to theaters July 19, 2024.
The industry veteran spent 19 years at ILM, where he led the Singapore expansion, as well as 6 years at Netflix, before returning to Toronto.
‘The Underground Railroad’ actor parts ways with the Marvel Studios film, starring Mahershala Ali, Mia Goth, and Delroy Lindo, about the half-human, half-vampire Eric Brooks as he seeks revenge for the death of his mother; the movies slices into theaters November 7, 2025.
It’s coming! Shannon Tindle’s all-new iteration of Ultraman introduces baseball star Ken Sato, an average young man who can transform into a gigantic superhero, streaming globally this June.
New confirmations include a look at Yorgos Lanthimos’ ‘Poor Things’ VFX, and the crafting of animated features ‘Nimona’ and ‘Leo;’ 4-day conference returns in person April 23-26, and on demand April 27-May 31.
Say… do you feel a draft? This summer, the epic studio disaster movie returns with an adrenaline-pumping, seat-gripping, big-screen thrill ride that puts you in direct contact with one of nature’s most wondrous - and destructive - forces; coming to theaters July 19, 2024.
VFX supervisor Simone Coco’s team took on the French general’s famous Battle of Austerlitz, stitching together three different locations, as well as creating thousands of unique, accurately outfitted CG soldiers and horses.
Lead Glen Powell reveals the upcoming film, set in the world created by the original 1996 disaster film, is a 'standalone story in the modern day;' the pic storms into theaters July 19, 2024.
