The BAFTA-winning and Oscar-nominated film from Yorgos Lanthimos, starring producer Emma Stone, follows a young Victorian woman brought back to life by the unorthodox Dr. Godwin Baxter; stream it before the 96th Academy Awards on March 10.
Studio creates ‘authentic artificiality’ for Yorgos Lanthimos’ BAFTA winning, Oscar-nominated feature starring Emma Stone, Mark Ruffalo, Willem Dafoe and Ramy Youssef.
For Simon Hughes and his Union VFX team, Yorgos Langthimos’ dark comedy, a stunningly designed visual maelstrom, required something completely different from a typical VFX project, including odd, surgically created hybrid animals using as much actual footage as possible, integration of plates shot with 3 different film stocks, 11 enormous wrap-around LED screens, 50s style painted backdrops, and some really crazy colored skies.
With Season 4 of the live-action phenomenon garnering 1.35 billion viewing hours in its first 28 days, Netflix is promising fans more strange days ahead with a new animated series.
In an extensive Q & A, Senior Animation Supervisor Sidney Kombo-Kintombo and Senior VFX Supervisor Guy Williams talk about their gargantuan contributions to Marvel Studios’ 'She-Hulk: Attorney at Law,' streaming exclusively on Disney+.
Visual Effects supervisors Shannon Justison and Dadi Einarsson reveal how the stunning visuals were brought to life on the studio’s first CG character-led series.
Creative studio Laundry’s ‘40 Million Reasons to Go Electric’ features bright, avant-garde 2D animation paired with music by LA-based singer Ayoni.
With so many standalone movies and fringe Disney+ series, a Cap return doesn’t seem too removed from reality, though Chris Evans isn’t thrilled.
Virtually produced May 2 telecast, hosted by Victoria Justice, was full of surprises, celebrities, and SLIME!
Emmy-winning ‘Rick and Morty’ scribe Jessica Gao has signed on as writer and developer for Marvel TV’s ‘She-Hulk,’ reportedly set to stream in 2020.
Profile Studios’ Matt Madden shares how virtually integrating Mark Ruffalo and Josh Brolin with CG assets, live, on set, gave ‘Endgame’ and ‘Infinity War’ filmmakers the immediate viewing access they needed to continually adjust and refine the film’s key digital character performances.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
Industrial Light & Magic helps Iron Man handle The Incredible Hulk with a new armoured suit in Marvel’s ‘Avengers: Age of Ultron.’
