Oscar nominees named this morning for Best Visual Effects share their reactions.
Oscar nominees named this morning for Best Animated Feature and Best Animated Short share their reactions.
No real surprises, at least in the animation-related categories, with ‘Avatar: The Way of Water,’ ‘Guillermo del Toro’s Pinocchio,’ ‘Puss in Boots: The Last Wish,’ ‘The Sea Beast,’ and ‘Black Panther: Wakanda Forever’ among the best animated feature and best visual effects nominees for this year’s 95th Oscars, coming March 12.
The platform has just setup free viewing of 15 films vying for ‘Best Animation Short’ nominations through January 24, alongside A24’s ‘Marcel the Shell With Shoes On’ and bonus material for ‘Guillermo del Toro's Pinocchio,’ ‘Wendell & Wild,’ ‘The Bad Guys,’ and ‘Turning Red.’
The filmmaker discusses how he funded his animation team for ‘It’s Nice in Here,’ the key to his captivating storytelling, and what it’s like to work in the industry in the Netherlands.
Spencer Susser’s stop-motion short, featuring the voice talents of Taika Waititi, Ricky Gervais, and Zac Efron, features a compelling and relatable bunny who delivers a genuinely impactful performance, part of the Humane Society International’s global campaign to ban animal testing for cosmetics.
VFX category narrowed down to 10 films, while animated short category narrowed to 15; voting for nominations runs next month, January 12-17, with nomination announcements set for January 24.
Members will vote to determine five nominees for best animated feature film award at the 95th Academy Awards; films also qualify for other categories including best picture.
‘Laika & Nemo,’ ‘An Ostrich Told Me the World Is Fake and I Think I Believe It,’ and ‘The Seine’s Tears’ win honors in animation; all winning films now eligible for 2022 Oscars.
After joining the animation house as its first intern, the ‘Inside Out’ and ‘Toy Story 4’ producer will now oversee all studio film and streaming content production.
The 2-time Academy Award-winning VFX supervisor boasts over 40 years of industry experience; he’ll work from the company’s LA studio on a yet-to-be-named project.
The famed filmmaker and Oscar-nominated animator, known for his work on projects ranging from the seminal feature, ‘Yellow Submarine,’ to shorts like ‘The Selfish Giant’ and ‘Christmas Cracker,’ passed away last night at a Quebec hospital.
The studio’s Canada-based VFX supervisor roster expands with former Rodeo FX supe; this follows the integration of Method Studios’ team, which recently added 6 VFX supervisors across the company’s Montreal and Vancouver locations.
Studio taps award-winning ‘The Matrix’ and ‘Doctor Strange in the Multiverse of Madness’ veteran to bolster its creative leadership team.
Pam Hogarth is honored with the Founders Award and Lifetime VES Member designation, while Oscar-winning Pixar director Pete Docter receives an Honorary VES Membership; a celebration of the honorees will take place at a special event in October.
The VFX and animation studio settles into its new Manhattan Beach digs, offering small shop creative/budgetary advantages with the underlying muscle of extensive European roots; The Mill alumni Aurelien Simon and Gawain Liddiard will head new office.
Academy Award-winning industry veterans Eric Brevig and Greg Butler join the visual effects and animation company at a time of unprecedented growth.
Studio’s doors opened May 13 with 150+ new hires; studio’s latest Canadian expansion comes amidst tremendous growth in worldwide demand for VFX and animation services.
VFX studio contributed to over 1,000 shots across 28 sequences on the Oscar-winning film, with artists working from multiple locations using NVIDIA’s virtual workstation software and hardware.
The Oscar-winning creative powerhouses penned an urgent op-ed on the Academy’s failure to treat animated features as seriously as their live-action counterparts.
Denis Villeneuve’s sci-fi epic scored a hefty 6 wins, though the evening’s most momentous achievement was an unwanted, violent reminder that live TV never goes as planned... or hoped.
As Sony Pictures Animation’s ‘The Mitchells vs. the Machines’ continues its seemingly inexorable march toward the Oscars, director and co-writer Mike Rianda reflects on what it all means.
Join the VIEW Conference and VFX Festival’s free March 16 online conversation with the directors and producers behind this year’s Academy Award-nominated animated short film line-up.
For the 14th consecutive year, each Academy Award nominee for the Best Visual Effects used NVIDIA technologies.
On March 9, VFX supervisors from the 5 Best Visual Effects Oscar nominated films come together in a free VIEW Conference virtual panel; the event is offered in partnership with OGR and the VFX Festival.
