Double Negative Shuttering Singapore VFX Facility
Opened in 2009, DNeg’s Singapore facility has been involved in production of visual effects for films including ‘Godzilla,’ ‘Man of Steel’ and ‘The Hunger Games: Mockingjay’ Parts 1 & 2.
Opened in 2009, DNeg’s Singapore facility has been involved in production of visual effects for films including ‘Godzilla,’ ‘Man of Steel’ and ‘The Hunger Games: Mockingjay’ Parts 1 & 2.
Prime Focus World delivers 15 minutes of stereo footage for Ridley Scott’s space epic with the help of its View-D conversion pipeline and Blackmagic Design’s Fusion Studio.
Made for $150 million, Joe Wright's big-budget Neverland origins story could lose between $130 million to $150 million for Warner Bros.
Prime Focus World’s senior stereo supervisor Richard Baker reveals how the team worked with miniature scale in Marvel’s latest superhero blockbuster “Ant-Man,’ starring Paul Rudd.
Prime Focus Worlds receives the Lumiere Technology Award at the 5th Annual Entertainment Technology and New Product Awards.
Indian creative services company chosen as an exclusive partner to execute VFX and 3D conversion services for large-scale Hollywood project.
Global VFX company presents an advanced discussion of its work on ‘Sin City: A Dame to Kill For’ at SIGGRAPH 2014.
India-headquartered creative powerhouse enhances 3D visual experience of ‘Transformers: Age of Extinction’
Prime Focus reaches an agreement to acquire Mumbai-headquartered Reliance MediaWorks in deal that will give Reliance a 30.2 percent stake in Prime Focus.
Prime Focus Limited announces the merger of its creative services subsidiary Prime Focus World and visual effects provider Double Negative; combined entity will be the world’s largest integrated VFX, 3D Conversion & Animation services company.
Prime Focus World Chairman & CEO Namit Malhotra is nominated to the International 3D and Advanced Imaging Society's 2014 Board of Governors.
Prime Focus World serves as solve visual effects provider for director Mark Waters’ Vampire Academy, delivering over 500 VFX shots for the film.