FOLKS, FuseFX Combine for FOLKS USA
The sister studios and brands within Pitch Black have consolidated to allow leveraging of shared capabilities, technology, and talent across North America.
The sister studios and brands within Pitch Black have consolidated to allow leveraging of shared capabilities, technology, and talent across North America.
As if this was in doubt… plot details are under wraps for the fourth cinematic installment, as ‘Sonic the Hedgehog 3,’ which follows Sonic, Knuckles, and Tails as they reunite against the powerful adversary Shadow, quickly soars past $200 million at the global box office.
A superpowered villain - Keanu Reeves’ Shadow - appears, forcing Sonic, Knuckles, and Tails to reunite… with an all new, highly unlikely alliance - dare we say the name, Dr. Robotnik!; the animated/live-action feature hits theaters December 20.
Keanu Reeves stars as ‘Shadow the Hedgehog,’ a mysterious villain that Sonic, Knuckles, and Tails must reunite against… with an all new, highly unlikely alliance – dare we say the name, Dr. Robotnik!; the animated/live-action feature hits theaters December 20.
Co-founder Félix Bergés passes the reins to the 20+ year visual effects veteran who will lead the studio and work to establish Spain as a global VFX hub.
Noah Catan and the team at Bent Image Labs used his Pantheon software tool to add critical volumetric shading to the key opening scenes of the film, set in Harold’s illustrated book world, without making the characters and their simple lines look like the came from a completely different world.
A porcupine, a diner, a salad bar… what could go wrong? Watch the ‘Diner Disruption’ clip celebrating the digital release of the live-action/animated hybrid feature starring Zachary Levi as a wonder filled grown-up Harold who doesn’t quite think things through; available for purchase and rental today!
FuseFX, FOLKS, Rising Sun Pictures, and El Ranchito’s parent company taps industry veteran to further enhance and finalize its global platform and workflow integration.
Lucasfilm’s mystery-thriller set 100 years before ‘Star Wars: Episode I — The Phantom Menace’ will not return for a second season; numerous negative reviews calling the series too ‘woke’ may be to blame.
Director Carlos Saldanha and VFX Producer Ken Wallace talk about coloring outside the lines to create Sony Pictures’ live-action/animated adaptation of Crockett Johnson’s famed kids’ book, now playing in theaters nationwide.
Marvel Studios Production VFX Supervisor Chris Townsend discusses 'time slipping' and the surprisingly small number of CG shots, and reliance on capturing shots in-camera, in the sophomore season of the hit Disney+ series, which scored a recent Emmy nomination for Outstanding Special Visual Effects In A Season Or A Movie.
Visual Effects Supervisor Matt Sloan, handling as much in-camera as possible so digital effects didn’t overshadow the tremendous stunt work, helped deliver 1,400 VFX shots working with Framestore, Cinesite, Rising Sun Pictures and Crafty Apes, as well as extensive postvis by OPSIS, on David Leitch’s behind-the-scenes ode to stuntmen, starring Ryan Gosling and Emily Blunt.
His crayon is made of pure imagination… which shouldn’t fall into the wrong hands… based on the classic children’s book by Crockett Johnson and starring Zachary Levi, the live-action / animated hybrid features a grown-up Harold, filled with wonder about everything, who doesn’t quite think things through; coming to theaters in August.
In the mystery-thriller, which takes viewers into a galaxy of shadowy secrets and emerging dark-side powers in the final days of the High Republic era, someone is killing young Jedis… no one is safe, and your own eyes cannot be trusted; the series debuts June 4 with its first 2 episodes.
Jorma Taccone, The Lonely Island stalwart, who directs Episode 4 of the Paramount+ series, goes behind-the-scenes on his crazy dream sequence in which Wade Whipple (Adam Pally) learns the ways of the Echidna warrior – and it’s got Christopher Lloyd too!
The live-action / CGI mini-series, which centers on Idris Elba’s dastardly, coffee drinking red Echidna as he teaches his protege Wade Whipple the ways of the warrior, hits Paramount+ April 26.
The parent company of VFX studios FuseFX, FOLKS, Rising Sun Pictures, and El Ranchito brings onboard the former Rodeo FX VP of Creative Operations to promote cross-brand integration, streamline processes, enhance collaboration between teams, and optimize global operations.
Based on the classic children’s book by Crockett Johnson and starring Zachary Levi, the live-action / animated hybrid features a grown-up Harold who draws himself right off the page into the real world, where he has a lot to learn; coming to theaters in August.
Anya Taylor-Joy stars as a young girl snatched from the Green Place of Many Mothers into the hands of a great Biker Horde in the standalone action-adventure origin story of the fan-favorite eponymous one-armed heroine from ‘Mad Max: Fury Road;’ the film hits theaters nationwide May 24, 2024.
The mystery-thriller, which take viewers into a galaxy of shadowy secrets and emerging dark-side powers in the final days of the High Republic era, debuts June 4 with its first 2 episodes exclusively on Disney+.
VFX supervisor Sean Konrad helped deliver over 3,000 ‘giant’ shots on the highly acclaimed Apple TV+ series with the ‘monstrously’ talented artists on his in-house team and at Rising Sun Pictures, Rodeo FX, Framestore, FuseFX, Outpost VFX, Crafty Apes, Wētā FX, MPC, Storm Studios, Vitality VFX, BOT VFX, Mr. Wolf, Scarab Digital, The Third Floor, Proof, and MPC Visualization.
The visual effects studio delivered 170+ shots for Netflix’s adventure series based on Eiichiro Oda’s popular manga, creating an array of CG naval and pirate ships, adding water and wind to fill the sails and set extensions to seamlessly integrate with the live-action.
After the success of the live-action adaptation, the streamer has teamed with franchise creator Eiichiro Oda, Shueisha, Fuji Television Network, Toei Animation Co., and WIT Studio to reboot the pirate tale following Monkey D. Luffy and his misfit crew.
The visual effects studios recreated 1960s New York City, complete with city street and subway chases – and digital horse - and an ancient undersea trireme shipwreck dive that included digital doubles, digital creatures, and dry-for-wet effects, respectively, on James Mangold and Lucasfilm’s final ‘Indiana Jones’ cinematic franchise adventure.
Tom Hiddleston, Sophia Di Martino, Ke Huy Quan and executive producer Kevin R. Wright look ahead to what it means to be Loki; new season set to debut October 5; VFX studios include Cantina Creative, ILM, Rising Sun Pictures, and Trixter.