It’s creepy, it’s campy, and it’s got Elizabeth Olsen and Paul Bettany as a married couple living in the idealized suburbs… what could go wrong?
Sci-fi thriller, centered on two androids raising human children as atheists on mysterious planet, ranks as the streamer’s highest performing Max original since the platform’s debut.
The Disney+ and History series took home the awards for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role on the third night of the 2020 Creative Arts Emmy Awards.
Kid's today... the journey to deliver “The Child” continues October 30.
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
Led by VFX supervisor Mitch Drain, the studio delivered a wide variety of visual effects shots across six episodes, including a crazy, shapeshifting creature inspired by Google DeepDream.
Series creator Jon Favreau breaks down the show’s new format, hinting it could be the ‘Star Wars’ equivalent of ‘Game of Thrones’ when it premieres October 30th on Disney+.
Overall VFX supervisor David Van Dyke and PXO VFX supervisor Nhat Phong Tran detail the production of the HBO series’ drug-induced gravity-defying spinning hall sequence from Episode 1.
International visual effects house further solidifies global service business with UK offices in London and Manchester.
Netflix reveals plans for both new projects, being penned by Shay Hatten, based on characters from the upcoming action adventure feature set to premiere on the streaming giant in 2021.
Chinese author Liu Cixin’s Hugo Award-winning trilogy about humanity’s first contact with an alien civilization will be adapted into live-action series.
HBO’s teaser trailer offers a glimpse into the next installment, coming this fall, of the strange new world adapted from Philip Pullman’s popular fantasy series.
VFX supervisor Laurent Spillemaecker and his Montreal team turned Toronto into early 1960s Dealey Plaza and surroundings with an exacting, detailed set of CG environments, people and digital assets.
Sci-fi thriller about two androids raising human children on a mysterious planet launches September 3.
Show inspired by Capcom’s hugely popular horror-video game franchise gets the greenlight; brand-new storyline will span two different timelines.
Projects from Cinesite, MPC, and Framestore are among animation and VFX studios to receive multiple honors at the annual Australian celebration of visual effects, animation, games, and immersive technology.
Studio shares work-from-home reel while announcing new Canadian operations, production resources, and regional talent, as well as slate of new projects.
Highly anticipated new show about two androids raising human children on a mysterious planet launches September 3.
The studio, and VFX supervisor Nhat Phong Tran, garner an Emmy nomination for their VFX work, delivering over 400 shots on Season 3 of HBO’s futuristic sci-fi thriller.
Original Nickelodeon series creators Michael Dante DiMartino and Bryan Konietzko have exited the streaming giant’s production, citing an ‘unsupportive environment.’
Goodbye Kansas recreates the legendary fortress of Arthurian mythology in the new fantasy adventure series based on Frank Miller’s graphic novel.
VFX supervisor Everett Burrell breaks down the Netflix series’ almost 2,000 VFX shots, a mix of nuclear holocausts, digital characters, time jumps, and a goldfish.
Visual effects studio delivers almost 700 shots, plus main titles, for the Netflix fantasy adventure about a young dead woman, miraculously resurrected then flung into in a battle between good and evil.
Studio delivers 200 shots, during lockdown, on new Netflix fantasy adventure series based on Frank Miller's young adult novel.
CG supervisor Dan Smiczek discusses the studio’s work creating the iconic ship of ‘assimilation’ for the CBS All Access hit sci-fi series starring Sir Patrick Stewart.
