'Catwoman' VFX Claw Past Comic Book Conventions
Gerard Raiti goes and scratches up the facts about the effects used to bring Catwoman to the big screen.
Gerard Raiti goes and scratches up the facts about the effects used to bring Catwoman to the big screen.
This isnt an episode of CSI. Bruce Shutan investigates the real life uses of 3D in forensics and medical science.
Alain Bielik meets the visual effects supervisors of two effects studios to uncover the truth behind Alex Proyas robots revolution.
Ellen Wolff discusses vertiginous flights of fancy and other superhero feats in Spider-Man 2 with visual effects supervisor John Dykstra.
Bill Desowitz presented six questions to a host of schools and has compiled the first collection of some of the answers.
Henry Turner talks with King Arthur's visual effects wizards to conjure up the truth about the vfx behind the newest cinematic rendition of the legendary myth.
Continuing our excerpts from the Inspired 3D series, Tom Capizzi delves into modeling resources in the first of two parts.
A new director, a darker turn and a new vfx direction underlie the third Harry Potter installment. Mary Ann Skweres reports.
Bill Desowitz presented six questions to a host of schools and has compiled the first collection of some of the answers.
Greg Singer speaks with Softimage, authorized training centers and others to learn about the educational push to bring XSI to a wider creative community.
Mary Ann Skweres discusses the VFX challenges of Two Brothers with supervisor Freric Moreau, who required fluid, seamless integration of tigers and actors.
A new director, a darker turn and a new vfx direction underlie the third Harry Potter installment. Mary Ann Skweres reports.
Production designer Alex McDowell provides a behind-the-scenes look at the design and construction of the crucial terminal from Steven Spielberg's The Terminal. Includes QuickTime movie clips!
The nurturing of new talent is vital to the continued success of the U.K. vfx industry. But just how effective are the lines of communication between the professional and education sectors? Mark Ramshaw talks to Seamus Morley at Techimage about the need to stay on course.
Henry Turner travels around the world to discover the vfx wonders that lie within Disney and Walden Medias remake of Around the World in 80 Days.
In another excerpt from the Inspired 3D series, Michael Ford interviews computer graphics artist Andy Jones, whose credits include Titanic and Godzilla.
Escaped convict Riddick is on the run again and Alain Bielik tracks him down to three digital effects houses. The clues? Some 800 effects shots!
Mary Ann Skweres lets the fur fly about how the vfx artists on Garfield brought the fat cat to life on the big screen.
In another excerpt from the Inspired 3D series, we step through the collaborative efforts involved in lighting and compositing a shot.