Getting Bullish on 'Knight and Day'
No talking animals for Rhythm & Hues, but the running of the bulls posed a different kind of challenge on the latest Tom Cruise actioner.
VFXWorld Magazine
The VFX of 'Jonah Hex'
Read about Pixel Magic's contributions to the big screen adaptation of the popular DC Comics Western.
Jimmy Hayward Talks 'Jonah Hex'
The former Blue Sky and Pixar vet tells us what it's like making the transition to directing live action.
3ds Max 2011 Review: Easier Workflow
A Max Master breaks down the latest version of Autodesk's signature animation software.
Creating 'A-Team' Mayhem
Read how Rhythm & Hues, Weta, Digital Domain and Prime Focus came to the rescue of The A-Team.
Maya Entertainment Creation Suite 2011 Review: Killer Productivity
Brad Clark reveals how Maya, MotionBuilder and Mudbox work better together.
Splicing Dren Together
Bob Munroe adds some splice to the new horror film about the evils of genetic engineering.
'Marmaduke': A Hybrid Breed Apart
Cinesite and Rhythm & Hues combine to bring Marmaduke to life on the big screen.
Putting 'Jonah Hex' in Motion
Ian Kirby explains how Sequence made Jonah Hex jump off the page in its Motion Comics series.
'Prince of Persia' Rewind with 'Dagger Time'
Read how Double Negative made time rewind with event capture.
Carsoux Talks 'Micmacs'
Find out how Alain Carsoux and Duran Duboi touched up the latest film by Jean-Pierre Jeunet.
Getting 'Lost' in the Final Season
Find out how Look Effects fared in completing the trippy series.
The HP Z800 Workstation Review: A Refresh
Bryan Hoff evaluates a major Intel core increase for the new HP Z800.
A Decade of 'Shrek' Tech
Read how technology at PDI and DreamWorks Animation has evolved throughout the Shrek franchise.
A New Shot at 'Robin Hood'
Read how MPC helped provide a new twist on an old legend.
Dr. Toon: Is 'Avatar' Good for a LAFF?
Dr. Toon discusses the implications of Avatar on Live-Action Animated Features.
'Iron Man 2' Gets Whiplash
Read about the making of Iron Man's latest adversary.
Going More Real World on 'Iron Man 2'
Read how ILM ramps up the action for Iron Man, War Machine and Whiplash.
Give 'em the Old Razzle-Dazzle
Gene Deitch, who has seen and heard it all, gives his assessment of 3-D.
Sarnoff Talks Technicolor, Pete & Pickles
The president of Technicolor Digital discusses their first animated series, Pete & Pickles, and going global.
Furious Gets 'Furry Vengeance'
Furious FX gets its first crack at CG critters.
Method Scares Up New 'Nightmare'
Freddy's back so read how Method Studios helped remake his face in CG.
Alien Attack on 'SGU'
Read how District 9 and Stargate Universe are connected.
'The Losers' as '80s Action Throwback
Simon Hughes of Image Engine takes us inside The Losers.
Some 'Kick-Ass' VFX
Double Negative supplies the VFX ammo for Matthew Vaughn's adaptation of the Millar/Romita comic book.
