Deluxe Launches New Dedicated VR Services Unit
Deluxe VR will debut new projects and services -- including end-to-end production and post-production -- at NAB 2016.
Deluxe VR will debut new projects and services -- including end-to-end production and post-production -- at NAB 2016.
Former Beast NY editor joins editorial company with integrated VFX and sound design as newest company partner.
Australian Film Television and Radio School offers short courses taught by industry experts in state-of-the-art facilities.
Max Solomon, an animation supervisor at Framestore, discusses his work as on 'Jupiter Ascending' and 'Gravity.'
Joe Letteri, senior VFX supervisor and studio director at Weta Digital, discusses the use of digital characters and virtual production technology on the three 'Hobbit' films.
Color grading pioneer to drive the artistic strategy that defines the Deluxe brand and ensure that the company houses and develops the best creative talent across color, VFX and editorial for film, TV and commercials.
Duncan Burbridge, executive producer at The Third Floor, discusses how previs helped director Joss Whedon realize his creative vision on Marvel's 'Avengers: Age of Ultron.'
Former Reliance MediaWorks and Fotokem exec to expand hybrid post production facility’s Digital Intermediate finishing and color grading business.
Oscar gold: Pixar Animation Studio’s ‘Inside Out’ wins best animated feature and Gabriel Osorio and Pato Escala’s ‘Bear Story’ wins best animated short; ‘Ex Machina’ wins VFX prize.
New York City-based editorial/post-production company Uppercut strengthens its leadership with the addition of Stefanie Bassett as Executive Producer.
Transition in organizational leadership announced at the Hollywood Professional Association’s annual HPA Tech Retreat.
An array of products from Blackmagic Design were used in 2016 Oscar-nominated films including Blackmagic Cinema Cameras on ‘Mad Max: Fury Road’ and DaVinci Resolve Studio and Fusion Studio on ‘The Martian.’
Humble’s sister shop increases post offerings and talent pool with the addition of executive producer Damijan Saccio and creative director Gene Nazarov.
PluralEyes v4.0 audio/video syncing software for any non-linear editor allows users to sync directly in Adobe Premiere Pro without leaving the host-app with more automation than ever before.
Previs supervisor Brad Alexander and postvis supervisor A.J. Briones take us inside J.J. Abrams’ epic new ‘Star Wars’ adventure.
The Third Floor’s virtual production supervisor discusses high precision coordination for shooting actors, cameras, stunts, rigs and backdrops on Ridley Scott’s award-winning sci-fi adventure.
‘Mad Max: Fury Road,’ ‘The Big Short’ and ‘Inside Out’ win big at the 66th annual ACE Eddie Awards; Nancy Meyers, Carol Littleton, ACE, and Ted Rich, ACE receive special honors.
More than 35 of Sundance’s hit films were created using BlackMagic Design technology, including Spike Lee’s ‘Michael Jackson’s Journey from Motown to Off the Wall,’ Kevin Smith’s ‘Yoga Hosers,’ indie superhero movie ‘Sleight,’ and Todd Solondz’s ‘Wiener-Dog.’
Brazilian production and post house uses DaVinci Resolve 12 Studio to color grade Ivete Sangalo’s new virtual reality music video, ‘O Farol.’
Animated feature nominees include ‘The Good Dinosaur,’ ‘Hotel Transylvania 2,’ ‘Inside Out,’ ‘Minions’ and ‘The Peanuts Movie.’
Accomplished directors join live-action division; company adds Roxanneanco as East Coast rep for live action, design and animation.
‘Anomalisa,’ ‘Inside Out’ and ‘The Good Dinosaur’ nominated for best edited animated feature film; winners to be announced at the 66th Annual ACE Eddie Awards on January 29th.
The full version of Blackmagic Design’s professional editing and color correction software is now available in a Mac-only version in the App Store for Mac OS X for only USD$499.
Australian post-production facilities chop render hours on Marvel-based PlayStation series ‘Powers’ with PipelineFX’s Qube!