Teaming with agency Heat and award-winning director Wayne McClammy of prodco hungry man, MPC LA’s team of world-renowned artists provides VFX and post services for a new trailer for EA’s ‘Madden NFL 16.’
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.
The Colonie welcomes assistant editors Emily Hayes and Stephania Dulowski to its creative team, moves Ben Pokorny to the company’s VFX/finishing department.
Previs supervisor Jim Baker walks us through The Third Floor’s key previs and postvis efforts on the latest Marvel feature.
Canon, Dolby, Panasonic, Quantel and Sony named as recipients of prestigious honor.
Sony Imageworks VFX supervisor Dan Kramer helps bring iconic low-res 1980s arcade game characters into the CG world of 2015 in the new Adam Sandler film.
NYC-based previs studio stretches creative boundaries with ‘Bayonet’ music video tapping company’s strengths in motion capture, 3D animation, visual effects, editorial, and more.
Global VFX powerhouse MPC’s expansion into China shows that despite considerable challenges, opportunities are there for the taking.
New features in DaVinci Resolve 12 include a new interface, multi-camera editing feature, enhanced core editing tools, new audio engine, redesigned media management tools, new color grading tools, remote rendering and improved editorial workflows.
New director of business development formerly worked with Motion Theory & Mirada Studios.
Former senior art director at Click3x has worked with high-profile commercial and broadcast clients including Verizon, HBO, Olay, MasterCard, Nat Geo, Wendy’s and Movado
Hybrid studio offers integrated services for feature film and broadcast color, visual effects and emerging technologies.
Leading trade organization honors esteemed post-production executive with special award on the 10th anniversary of the Hollywood Post Alliance Awards.
DigitalFilm Tree employs Blackmagic Design’s DaVinci Resolve as a core component of its remote dailies grading and transcoding services.
Previs supervisor Todd Constantine talks previsualization of earthquakes, tsunamis and bursting dams on the hit disaster movie ‘San Andreas.’
Blackmagic digital film cameras were used to shoot scenes and stunt work in ‘Mad Max: Fury Road’ and ‘Avengers: Age of Ultron,’ while Fusion Studio was used for compositing and to help create action sequences for ‘Spy’ and ‘Barely Lethal.’
Recognizing excellence in 3D animation, visual effects, visualization and game design, the animago AWARD will be presented on Thursday, October 15 at the animago AWARD & CONFERENCE.
Tefft Smith II discusses the extensive use of pitchvis, previs, techvis and postvis on Brad Bird’s new fantasy adventure.
Supervisor Gerardo Ramirez discusses key facets of The Third Floor’s previs, postvis and techvis efforts on Marvel’s latest superhero blockbuster.
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Does George Miller’s latest ‘Mad Max’ film have the same “cyan/orange” look dogging so many recent big action movies?
Awards hit a 10-year milestone recognizing the best in creative artistry and achievement.
Entering retirement, humility and grace continue to define the FMX Conference founder and creator of the world-renowned Animationinstitut in Baden-Wuerttemberg.
Five Supinfocom students teach us a lesson about animated gags using stylized photo-real characters who don’t speak or change expressions.
Proof Inc. creative director and founder Ron Frankel to present inside look at previs and postvis work from ‘Guardians of the Galaxy’ and ‘Night at the Museum: Secret of the Tomb’ during 2015 FMX conference in Germany.
