The studio collaborated with DIGIC Pictures, Axis Animation, Illusorium, Platige, and Goodbye Kansas on the animated anthology series, scaling render capacity while sharing files with Amazon Simple Storage Service (Amazon S3) to alleviate rendering challenges.
From fairytale digital characters to monstrous transformation sequences and crowd simulations, the visual effects studio delivered 123 shots and over 50 character and environment assets for Season 2 of Prime Video’s fantasy series starring Cara Delevigne and Orlando Bloom.
Jan Cafourek, Emnet Mulugeta and Henrik Eklundh share insights on the challenges of showing a hero’s journey and rags to riches story while hinting at the larger scope of the game’s world.
The VFX studio was instrumental in balancing realism with fantastical elements in the IMDb TV teen spy series’ second season; check out the breakdown reel.
The Lovie Award-winning ‘official announce trailer’ is a tongue-in-cheek parody that mocks common tropes used in game promotion – the hero can’t be seen because the game’s design, story, and gameplay aren’t yet ready!
VFX studio Goodbye Kansas’ Jonas Skoog and Goran Milic share their insights on the pipeline, tools, and ongoing development needed to create CG humans that look real and emote believably.
Goodbye Kansas Studios delivers a hallucinogenic trip complete with trippy effects, speaking animals, and psychedelic glitter, in Sarah Adina Smith’s drama about two elite ballet dancers forced to compete for a prestigious job.
Latest VFX and animation reel showcases some of the year’s best work from film, tv and advertising; included are clips from feature films, ads and episodics from companies including Scanline VFX, Goodbye Kansas, and Blur Studio.
As the main visual effects vendor, the company’s London studio creates a digital Trident nuclear sub and water effects for the BBC’s new conspiracy thriller series.
Visual effects studio delivers 175 shots on the Starz series, including a terrifying locust swarm, stampeding buffalo, and epic storm.
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
Goodbye Kansas recreates the legendary fortress of Arthurian mythology in the new fantasy adventure series based on Frank Miller’s graphic novel.
Veteran visual effects and CG supervisor with 20 years’ experience brings his creative vision to studio as it ramps up productions.
New release brings many new features, including real-time ray tracing, to developers in the fastest version of Unreal Engine 4 to date.
Fast growing Swedish VFX and CGI company Goodbye Kansas has replaced previous brands Fido, Bläck, Imagination Studios and Pixel Grinder with Goodbye Kansas Studios, an integrated company consisting of 150 artists and producers.
New U.K. outpost led by EP James Prosser and executive director Martin Hobbs alongside VFX supervisors Matt Kasmir and Jesper Kjölsrud and art director Rafael Morant to provide effects for George Clooney’s ‘Suburbicon’ feature written by the Coen Brothers.
