Kelly Reilly

Tagged With: Kelly Reilly

FMX 2025 Program Now Online

Lists of participating speakers and companies have also been published; presentation categories include VFX for Features, Feature Animation, Sound Design, Managing Change, and News.

In 3D, AI, AR/VR/XR, CG, Commercials, Event, Films, Games, Immersive, Jobs & Recruiting, Music and Sound, People, Post-production, Previs/Postvis/Visualization, Technology, Television, Transmedia, Virtual Production, Visual Effects | ANIMATIONWorld, Headline News, VFXWorld | Blogs: FMX Conference Spotlight | Special Events: FMX | Geographic Region: All, Europe

From Dinos to Diapers VFXWorld

DNEG's VFX Transitions Stand the Test of Time in ‘Here’

From depicting dinosaurs and the Ice Age to a massive tidal wave and idyllic neighborhood, the leading VFX and animation company helped create and then seamlessly move between scenes, shot from a stationary camera, spanning millions of years, in Robert Zemeckis’ latest film.

In 3D, Acting, AI, CG, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All

AI De-aging Comes of Age Headline News

Watch De-Aging Featurette on Robert Zemeckis’ ‘Here’

Releasing today on Digital and January 21 on Blu-ray and DVD, the film reunites the ‘Forrest Gump’ director, writer, and stars Tom Hanks and Robin Wright, who through AI-enabled VFX tools from Metaphysic, travel through several generations of family love, laughter and loss.

In 3D, Acting, AI, CG, Digital Media, Films, Home Entertainment, People, Visual Effects | Headline News, VFXWorld | Geographic Region: All

AI De-aging Comes of Age Headline News

Metaphysic De-Ages Robert Zemeckis’ ‘Here’ Via Generative AI

The AI-powered visual effects studio built neural network models to portray actors Tom Hanks, Robin Wright, Paul Bettany and Kelly Riley through time at different ages.

In Acting, AI, CG, Films, People, Technology, Visual Effects | Headline News, VFXWorld | Geographic Region: All

Boo! VFXWorld

Cinesite Goes All Mysterious for Kenneth Branagh’s ‘A Haunting In Venice’

Production VFX Supervisor Artemis Oikonomopoulou talks ghosts, cryptic water messages, and 1947 Venice, along with lots of invisible effects – and some CG bees – on the director’s third outing as famed Belgian detective Hercule Poirot in the latest cinematic adaptation of an Agatha Christie novel.