From giant red spaceships to tentacled, toothy Abilisks, the studio’s VFX and animation teams, led by VFX supervisor Guy Williams and animation supervisor Michael Cozens, pull out all the stops for the final chapter of James Gunn’s MCU trilogy.
Only by accepting others for who they are, can we truly see into the mind of God.
The studio wrangles facial mocap performances into its proprietary suite of AI tools to tackle one of Marvel Studios’ most unique villains, a 5-foot-tall flying face, in ‘Ant-Man and The Wasp: Quantumania.’
17+ year Image Engine veteran and general manager steps up to helm visual effects production across the company and its partner studios including Image Engine, FX3X, and Trixter.
The 2-day event for VFX and animation professionals, running May 16-17 in Quebec, will feature panels, discussions, and presentations by industry leaders from Sony Pictures Imageworks, DNEG, Marvel Studios and DreamWorks Animation.
The star-studded presentation included highlights from an upcoming theatrical slate featuring titles from Disney Live Action, Pixar, Walt Disney Animation Studios, Lucasfilm, Marvel Studios, Searchlight Pictures, and 20th Century Studios.
Disney TV Animation’s SVP of Current Series Khaki Jones and VP of the Kids Unit Claire McCabe have been let go as part of a company-wide initiative to save $5.5 billion in costs.
Although the exact terms of the agreement remain mum, as neither party has commented on the settlement, millions of dollars in financial compensation were reportedly awarded to the axed exec.
The industry veteran takes the reigns to optimize the VFX studio's proprietary toolsets including machine learning software and AI-driven creations.
The Pearl and X actress has been cast in an undisclosed role on the film, which stars Mahershala Ali as the eponymous vampire slayer, slashing into theaters September 6, 2024.
Brie Larson returns as Captain Marvel this Fall alongside Teyonah Parris, Iman Vellani, Samuel L. Jackson, Zawe Ashton and Park Seo-joon.
The ‘Avatar: The Way of Water’ writer has taken the reins from former scribes Jeff Kaplan and Ian Springer, which signals a potential shift away from comedy towards a more serious sci-fi tone.
Last night, during ESPN’s Sunday Night Baseball, the streamer treated fans to a look at the new live-action espionage thriller starring Samuel Jackson, Ben Mendelsohn, Cobie Smulders, and Martin Freeman, premiering this June.
As a series of 7,000 layoffs began this week at the Mouse House, cost-cutting has led to the ouster of Perlmutter, a major company shareholder, co-president Rob Steffens, and chief counsel John Turitzin.
In a deal set to close later this year, co-founders Wes Lui and Ricardo Curtis are named Co-General Managers of the Toronto-based pre-production studio, which will maintain its distinct identity under new parent company banner.
The former Marvel Studios EVP was reported fired from the company last week for producing and promoting ‘Argentina, 1985,’ but now attorney Patty Glaser claims the termination was actually punishment for criticizing the studio.
The longtime studio executive, who helped grow the MCU into the most successful franchise in theatrical history over her nearly two-decade run, has left the company for reasons unknown.
The 4-day hybrid event returns to Stuttgart April 25-27 with an exclusive online day April 28; confirmed presentations include the creative and technical journey of Netflix’s ‘1899’ and Digital Domain’s use of Charlatan, its neural network for ‘deep fake’-like face replacements on Disney+’s ‘She-Hulk: Attorney at Law.’
The Australian-based visual effects studio delivers 270 shots for Peyton Reed and Marvel’s MCU Phase 5 kick-off, including augmenting and then destroying the massive Celestium fortress and visualizing Kang’s 3D multiverse map.
Tasked with creating full CG environments, simulated explosions, energy effects, laser beams, armored ants, and other digital assets, over 1,000 studio artists delivered more than 800 shots on the Marvel’s first MCU Phase 5 installment.
Animation director Kirsten Lepore discusses the herculean challenges of working with a miniscule mollusk in the Oscar-nominated, Annie Award-winning Marcel the Shell with Shoes On, now in theaters and streaming on Showtime.
Promising ‘one last ride,’ the trailer takes us inside the team’s battle against the High Evolutionary, but more importantly, we get to see baby Rocket!
The Oscar-winning VFX studio, using Maya and Houdini, delivered 500 VFX shots, including the film’s finale filled with crowds of digi-doubles on the deck, the hull, and in the water around the futuristic Wakandan stealth ship.
The studio delivered almost 400 visual effects shots, with its London facility producing a single 10-minute sequence and Montreal facility creating a range of sequences, including full water simulations, integrating CG ships, digi-doubles and a helicopter crashing into the ocean.
While no specific reason for the official policy change was revealed, China’s ban is over, for the time being, allowing both ‘Black Panther: Wakanda Forever’ and ‘Ant-Man and The Wasp: Quantumania’ to premiere in February now they’ve been approved by the China Film Administration.
