ILM Tackles Bruce Banner’s ‘Smart Hulk’ Convergence in ‘Avengers: Endgame’
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
With a 'snap,' Weta Digital helps brings closure to both Josh Brolin’s seemingly unstoppable villain and the foundational storyline from the MCU’s first 10 years.
Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.
Framestore VFX supervisor Christian Kaestner oversees more than 130 awe-inspiring shots for the first film in the Marvel Cinematic Universe to feature a female superhero lead.
Adelaide, South Australia-based studio delivers hundreds of complex VFX shots for the latest addition to the Marvel Cinematic Universe.
‘Black Panther’ to vie for top producer award; ‘Dr. Seuss’ The Grinch,’ ‘Incredibles 2,’ ‘Isle of Dogs,’ ‘Ralph Breaks the Internet’ and ‘Spider-Man: Into the Spider-Verse’ to contend in animated feature category.
Prolific writer, editor and publisher co-created many of the industry’s most iconic characters, including Spider-Man, Iron-Man, the Hulk and Black Panther.
Panel will promote studio’s highly anticipated animated take on an alternate universe separate from the MCU that swings into theatres December 14.
Marvel Studio president to be honored at 30th Annual Producers Guild Awards on Saturday, January 19, 2019.
Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit.
Production VFX supervisor Christopher Townsend integrates the work of artists from around the world to wow audiences with Ego the Planet and other new digital characters in Marvel’s latest sci-fi action adventure hit.
The Weta Digital VFX supervisor discusses his work on director James Gunn’s latest MCU superhero franchise hit.
VFX supervisor Richard Bluff describes Industrial Light & Magic’s dazzling New York and Hong Kong sequence work in Marvel’s supernatural adventure hit.
Heading into Awards Season, the director of Disney’s 2016 photoreal live-action/CG hybrid action-adventure hit reflects on his initial skepticism and concerns adapting an animated feature film classic.