Veteran visual effects and CG supervisor with 20 years’ experience brings his creative vision to studio as it ramps up productions.
VFX powerhouse MPC's animation supervisor Stephen Enticott discusses how the studio balanced photorealism with emotion while crafting the engaging performances in ‘The Lion King,’ Disney’s latest hit animated classic remake.
Industry veteran with 20+ years of creative and commercial experience to bolster studio’s continued growth in animation and VFX.
Production VFX supervisor Guillaume Rocheron, MPC, Method Studios and DNEG describe the creative and technical challenges of bringing four gigantic kaiju to the screen in ‘Godzilla: King of the Monsters.’
Framestore’s Jonathan Fawkner and MPC’s Pete Dionne discuss the various ways visual effects were produced to help director Rob Letterman bring the smart-aleck yellow cartoon sleuth to the screen.
Veteran finishing artist brings two decades of experience on shows like HBO’s ‘The Wire’ and ‘Sex in the City.’
From defying gravity to expressing emotion in a believable way, reality was key for animation supervisor Catherine Mullan and the team of artists at MPC.
Visual effects veteran with film credits including ‘Iron Man 2,’ ‘Mission Impossible: Ghost Protocol,’ ‘Downsizing’ and ‘Pacific Rim’ currently serves on the Executive Committee for the Academy’s VFX Branch.
David Piombino appointed deputy head of 2D alongside VFX supervisor Thiago Porto, CG lead Dan Fine and senior FX/CG supervisor Santosh Gunaseelan.
‘Sonic the Hedgehog’ and ‘Jump Street 22’ writer Oren Uziel tapped to write the screenplay.
VFX producer Kimberly Nelson LoCascio wrangles two VFX supervisors and multiple VFX houses to help deliver more than 2,300 visual effects shots for director James Wan’s take on the DC Comics super hero.
MPC VFX supervisor Richard Clegg and his team create fully CG environments and complex digital characters such as Mother Ginger, the Mouse King, and an army of seven-foot tin soldiers for Disney’s new feature film adaptation of the classic holiday tale.
Lead by VFX supervisor Richard Clegg, MPC’s artists craft more than 1,000 shots for Disney’s live-action remake, from CG environments including palaces, forests and rivers, to large-scale FX work and extensive digital character animation.
A magical trident holds the key for half human, half Atlantean Arthur Curry to unite the worlds of above and below in Warner Bros’ epic undersea action-adventure.
First glimpse of live-action remake promises a faithful and visually enticing reimagination of beloved animated classic.
With VFX provided by MPC and Framestore, first-ever live-action movie based on the iconic face of the global Pokémon brand arrives in theaters on May 10, 2019.
Legendary creative will lead end-to-end creative and production solution at the London branch of the VFX powerhouse.
Look dev artist for the Harry Potter franchise and lead compositor on the Oscar-winning ‘The Jungle Book’ to work across Framestore’s Advertising, Television and Immersive divisions.
Led by VFX supervisors Richard Little and Arundi Asregadoo, MPC Film delivers hero animation for the Upgraded Predator along with the Predator Dogs, a CG swamp environment, and more.
Former senior EP and VP takes new role as managing director, overseeing operations for integrated advertising and immersive experiences at the Los Angeles facility.
Studio names Ashley Bernes creative director; VFX supervisor Dirk Riesenfeld relocates from Amsterdam office.
VFX talent brings his creative expertise to the studio’s senior team.
‘Women in Technology’ spotlight series to include presentations from Janelle Croshaw Ralla, Kelsey Hurley and Renee Tam.
MPC’s LA studio promotes Morten Vinther to Creative Director and Jim Spratling to Head of 2D, with Daniel Seddon joining as VFX Supervisor.
Warner Bros. first look at sequel to Gareth Edwards’ 2014 hit features epic kaiju rumble between the quartet of ancient foes.
