MPC’s LA studio promotes Morten Vinther to Creative Director and Jim Spratling to Head of 2D, with Daniel Seddon joining as VFX Supervisor.
Warner Bros. first look at sequel to Gareth Edwards’ 2014 hit features epic kaiju rumble between the quartet of ancient foes.
Presentation on Warner Bros. upcoming action-adventure, featuring Jason Momoa as the aquatic DC Comics superhero, rocks the Hall H audience.
Exec brings extensive production experience in film, television and commercials to the company’s advertising division.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
MPC CG supervisor Chris Downs details the production of 350 visual effects shots for director Ava DuVernay’s adaptation of ‘A Wrinkle in Time.’
Oscar-nominated VFX supervisor takes audiences on a quest through the universe for director Ava DuVernay’s adaptation of the sci-fi classic written by Madeleine L’Engle.
‘Black Panther,’ Oscar-winner ‘Blade Runner 2049’ and ‘Star Trek: Discovery’ will be spotlighted.
The overall VFX supervisor riffs on witness cameras, bleak L.A. cityscapes and the super-secret digital recreation of Rachael in Denis Villeneuve’s mesmerizing ‘Blade Runner’ sequel.
Get a peek at the winners onstage and backstage at this year’s grand Visual Effects Society bash.
Does the Middle Kingdom’s growing use of quality previsualization efforts portend greater VFX-heavy film success to come?
Co-founder of Fabric Software brings more than two decades of experience to new job.
Global veteran of 3D and visual effects comes to the company after eight years at MPC.
MPC VFX supervisor Bob Winter oversees the creation of CG environments, digital doubles, and a deadly jaguar attack for director Jake Kasdan’s ‘Jumanji: Welcome to the Jungle.’
This winter offers a franchise reboot, massive destruction on a global scale, and the return of Paddington the bear, but the real story just might be the worlds of wonder conjured up for the Disney adaptation of ‘A Wrinkle in Time.’
New hires bring more creative and technical firepower via their roles as head of CG, VFX supervisor and head of technology.
Event confirms Phil Tippett and Aardman’s David Sproxton as speakers at the annual conference set for April 24-27 in Stuttgart, Germany.
VFX facility delivers more than 400 VFX shots including creature animation, digital doubles, expansive environment builds and destruction simulations.
Oscar-nominated artist brings nearly three decades of experience to London-based facility.
Experienced software and tech exec Craig Rodgerson will spearhead developing the company’s strategic direction and building its product line.
Veteran of advertising, design, animation, film and digital joins London-based company from ManvsMachine.
Advertising VFX companies will operate under the Mikros-MPC Advertising banner.
‘War for the Planet of the Apes,’ ‘The Jungle Book,’ ‘Kong: Skull Island,’ ‘Fantastic Beasts and Where to Find Them,’ ‘Ghost in the Shell,’ ‘Valerian and The City of a Thousand Planets’ and ‘Doctor Strange’ receive awards for feature film VFX at 2017 Australian Effects & Animation Festival.
MPC Film to showcase its latest work, including presentations on the technical and creative challenges behind the water simulations of Disney’s ‘Pirates of the Caribbean: Dead Men Tell No Tales,’ the future of VR in film production, and the advantages of cloud-based resources.
VFX supervisor Jessica Norman’s London, Montreal and Bangalore teams handle nearly 500 shots on Warner Bros. DC Comics-inspired hit superhero film.
