Lead VFX vendor MPC delivers 425 shots for Ridley Scott’s space epic, including shuttle launch sequences, the storm sequence, and scenes on Mars.
With visual effects provided by MPC, Sony Pictures Imageworks and Ollin Studio, new trailer provides a closer look at the film’s main characters, including the elusive Joker.
Led by MPC VFX Supervisor Mark Curtis and Producer Laura Schultz, MPC’s global team worked closely with director Sam Mendes and Production VFX Supervisor Steve Begg, covering three key sequences in the snowy Austrian Alps and the deserts of Morocco.
MPC’s content production arm produces a film and VR experience for CES 2016 highlighting the performance of Faraday Future’s technology platform with the FFZERO1 high-performance electric dream car.
New video from MPC Creative goes behind the scenes of the ‘Goosebumps’ Virtual Reality experience created for Sony Pictures.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Overall VFX supervisor talks about key visual effects sequences in Sam Mendes’ latest hit in the James Bond film franchise.
New trailer for the follow-up to Roland Emmerich’s 1996 sci-fi action thriller showcases visual effects from MPC, Scanline VFX, Image Engine and LUXX Studios.
Stop-motion/CG-animated hybrid short written and directed by Ty Coyle and Bill Dorais is the follow-up to last year’s ‘Enjoy the Sweets.’
Now in its fourth year, The VFX Festival 2016 will be held February 23-25 at Cineworld at the O2 Centre in London.
Along with creative title sequence and in-theater Virtual Reality experience, MPC delivers 700 VFX shots for the Sony Pictures feature ranging from CG monsters and environments to magical effects.
Made for $150 million, Joe Wright's big-budget Neverland origins story could lose between $130 million to $150 million for Warner Bros.
As the lead VFX vendor, the Moving Picture Company delivers 425 shots for Ridley Scott’s space epic, including shuttle launch sequences, storm sequence, and scenes on Mars.
Animated ‘Crafted Light’ optical illusion celebrating the 250th anniversary of Hennessy showcased at Harrods through October.
New purchase is part of the French-owned media company’s strategy to expand its ties with advertisers and build out its visual effects business, which already includes MPC, Mr. X and Mikros Image.
‘Iron Man’ director Jon Favreau relies heavily on motion-capture techniques for his live-action adaptation, surrounding actor Neel Sethi (as Mowgli) with a slew of CG animals and environments.
Online teaser for Ridley Scott's ‘The Martian’ sets leading astrophysicist Neil deGrasse Tyson against a digital backdrop created by up-and-coming Polish VFX house Juice.
EA Germany, Omstudios, Milk VFX, Framestore and MPC recognized for toolset development and pipeline advancement.
MPC Film heads to SIGGRAPH 2015 to present crowd, fur, digi-doubles and destruction technology, presenting the company’s visual effects work on movies including ‘Terminator Genisys,’ ‘Exodus: Gods and Kings,’ ‘X-Men: Days of Future Past’ and ‘Cinderella.’
Double Negative, Hybride, MPC and Psyop to present at the Fabric Engine User Group meeting on Tuesday August 11, from 10:00 am to 6:00 pm.
Global VFX powerhouse MPC’s expansion into China shows that despite considerable challenges, opportunities are there for the taking.
RenderMan integration to become part of the Fabric Engine ecosystem.
MPC VFX Supervisor Sheldon Stopsack examines the ins and outs of digitally recreating an iconic action hero for Paramount’s ‘Terminator’ franchise reboot.
Led by VFX Supervisor Seth Maury and VFX Producer Laura Schultz, MPC Vancouver completed 250 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb.’
Dinosaurs, Video Game Monsters and Action Movie Icons return this summer for a blockbuster reunion at the multiplex.
