MPC is out in force at SIGGRAPH 2014 in Vancouver presenting work on some of the biggest movies of the year, including ‘Godzilla,’ ‘Maleficent,’ ‘X-Men: Days of Future Past’ and Marvel’s ‘Guardians of the Galaxy.’
MPC’s previs supervisor Duane Floch discusses three different POVs and lots of apes used to create the Colony Attack scene in Matt Reeves’ hit sequel.
Technicolor-owned creative studio MPC collects a prestigious Gold Lion at Cannes for its work on the game trailer for Assassins Creed “Black Flag: Defy.”
Led by VFX Supervisor Gary Brozenich and DFX Supervisor Matt Middleton, MPC delivers the finale sequence for ‘Edge of Tomorrow.’
Technicolor strikes a deal for an undisclosed amount to acquire Toronto-based visual effects studio Mr. X.
MPC Vancouver’s visual effects supervisor Seth Maury discusses the creation of an anti-heroine’s magical world.
The VFX supervisor discusses how MPC helped director Gareth Edwards bring the iconic monster to the big screen.
MPC creates deadly dragons, fantastical fairies and enchanting environments for Disney’s ‘Maleficent.’
MPC Montreal’s Benoit Dubuc recalls the creation of the X-Men’s greatest foes
MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
As the lead VFX company for ‘X-Men: Days of Future Past,’ MPC delivers futuristic sequences, including creating the Sentinels from concept art through to final compositing, the X-Jet, Xavier’s virtual world, future environments and creating mutant effects.
Lead VFX house MPC returns to the Marvel Universe for ‘X-Men: Days of Future Past.’
Curating innovative campaigns and producing award-winning content, executive producer Marisa Fiechter joins Psyop.
Led by MPC VFX supervisor Guillaume Rocheron and VFX producer Philip Greenlow, the UK-based Moving Picture Company serves as the lead VFX studio bringing the iconic title creature to life in Warner Bros Pictures’ and Legendary Pictures’ ‘Godzilla.’
MPC Creative is enlisted by The Richards Group to direct and produce the all-new Fiat campaign featuring the King of the Monsters.
MPC Vancouver teams up with director Marc Webb and Sony Pictures Imageworks VFX Supervisor Jerome Chen to complete more than 300 shots for ‘The Amazing Spider-Man 2.’
Powerful, easy-to-use render farm management tools let artists in MPC’s motion design studio become their own render wranglers for high-profile rebrand job.
Led by VFX Supervisor Arundi Asregadoo and VFX Producer Stefan Drury, MPC delivers 80 photoreal shots across nine scenes for The Monuments Men.
Studio behind World War Z and Man of Steel remotely deploys motion capture setup across locations.
MPC completes more than 550 shots for Disney’s The Lone Ranger, ranging from full CG canyons, caves and Comanche attacks to CG trains, horses, birds, arrows, fire and scorpions.
MPC’s work on Disney’s The Lone Ranger is recognized with an Oscar nomination for Visual Effects at the 86th Academy Awards.
MPC completes 250 shots on Universal Pictures’ 47 Ronin, working on a wide range of effects from a fully CG character to grand environments.
Microsoft, twofifteen McCann and Smuggler team with MPC LA for an effects-driven campaign for Xbox game title Ryse: Son of Rome.
MPC purchases a global site license of Fabric Engine, tapping Fabric Splice to build next-generation tools that fully leverage modern hardware.
Passion Pictures NYC partners with MPC to create an all-new CG campaign for Coca-Cola influenced by the work of Norman Rockwell, Haddon Subdblom, and advertising campaigns from the 1930s & 1950s.
